Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18469 (and counting) posts since we started blogging 18 years ago. 333 of them this year alone and, so far this month (April 27 ) 67

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Thu 30: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: International Jazz Day & JANE AGM.
Thu 30: Duke Junction @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Nadim Teimoori (tenor sax); Jeff Hewer (guitar); Martin Longhawn (organ); Steve Hanley (drums). An International Jazz Day event & the 12th anniversary of Newcastle Jazz Co-op acquiring the Globe!

May

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 01: Bede Wind Band + East Coast Swing Band @ Cullercoats Methodist Church. 7:30pm. £10.00. Tickets from: www.ticketsource.com, members of Bede Wind Band & at the door. Memorial concert for Anne-Marie Purvis, who was a member of both ensembles. All proceeds to Tiny Lives Trust.
Fri 01: Louis Louis Louis @ Saltburn Community Hall. 7:30pm. £15.00.

Sat 02: Midnite Follies Orchestra @ St Augustine’s Parish Centre, Darlington. 12:30pm. £20.00. Darlington New Orleans Jazz Club. All-star line-up.
Sat 02: Knats Masterclass & Jam II @ The Glasshouse, Gateshead. 1:00-3:00pm. £15.00.
Sat 02: Shannon Pearl + John Pope & John Garner @ Langley Tracks, Langley on Tyne NE47 5LA. 5:30pm (doors). £15.00. + £1.50. bf. ‘Witch-pop’ + Pope & Garner.
Sat 02: Knats + Nauta @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 02: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 03: Chilcott Jazz Mass @ St George’s Church, Jesmond, Newcastle. 9:30am. Free. Sung communion with Parish Choir (featuring Bob Chilcott’s music). A Jesmond Community Festival event.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 03: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Mark Toomey (alto sax).
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 03: Tom Waits for No Man @ Oxygenic, Whitley Bay. 3:00pm (2:30pm doors). Neckties and Boxing Gloves album launch. £14.00 (gig & a CD); £8.00 (gig only).
Sun 03: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76.
Sun 03: John Pope & John Garner @ The Globe, Newcastle. 8:00pm. £12.00., £10.00.

Mon 04: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Pete Tanton’s Cuban Heels @ The Library, South Parade, Whitley Bay. 2:00-4:00pm. Free.
Mon 04: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 05: Leah Kirk (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 2:30pm. Free, open to the public.
Tue 05: Jenny Baker (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 4:20pm. Free, open to the public.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Tim Johnston (drums).
Tue 05: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Friday, May 16, 2014

Adam Stapleford – Drum Kit. Final Recital @ New Music Studios, Newcastle University. May 15

(Review by Russell).
A highlight of Tyneside’s musical year is the series of recital performances given by music students at Newcastle University. Open to the public, these occasions are always memorable – after all there is much at stake. Are the students terrified? Do they request a last meal? Do they say their goodbyes? If so, Bebop Spoken Here correspondents have yet to see any signs of terror, nerves or foreboding.
At the appointed time (6:00 pm) drummer Adam Stapleford entered the examination room, The place was packed – fellow students, friends, well-wishers and at the back…the examiners. Stapleford is a gigging musician, notably in the trio Taupe (the self-styled power jazz commando team). He wasn’t nervous, no way! He welcomed everyone, took time to talk about each of the five pieces he would play and invited Jamie Stockbridge (alto) and Mike Parr-Burman (guitar) to join him on stage (JS and MPB are the other two thirds of Taupe). Ear plugs were handed out (no kidding), your BSH correspondent declined the use of them, knowing it was going to be loud, thrillingly so!   
Ultradian (comp. Taupe) began the recital. Stapleford’s helpful notes read: This piece starts with a bang, and doesn’t really let up from there on in…They blew them away! For the music student the piece was inspired by: a complex Carnatic (South Indian) rhythmic technique… JS and MPB went for a lie down as Stapleford performed his own composition  Making sense (music students would make sense of the West African polyrhythms). The trio played more complex stuff on Coupling (comp. Taupe), things were going well. The penultimate piece – Cachitos (comp. Stapleford) – heard the examinee solo, examining rhythmic styles found in Venezuelan folk music. Stapleford had his kit positioned side on to enable the audience (and examiners) to see what was going on below decks, his feet working the pedals at a rate of knots (bass drum, two hi-hats and bolted-on cowbells). How he did it is beyond mere mortals. Huge applause. One sensed he was home and dry. The trio reunited for the final piece. Lash (comp. Taupe). This is the band’s party piece. ACV’s Without Bones is one of the great listening experiences, Lash is Taupe’s. Stapleford knew it had gone well. Ten out of ten! It wouldn’t come as a surprise if the boys went out on the lash.
For the record - Adam Stapleford – Drum Kit. Major Specialist Studies: Final Recital. Tutor Geoff Hutchinson 
Footnote – Jamie Stockbridge (alto saxophone) said his own Finals’ recital went well at the short straw time of 9:05 am. He then went for breakfast. 
Russell.

1 comment :

GUSTAV THOMAS said...

Enjoyed this review, Russell - and speaking as one of the examiners, I can tell you he was pretty much 'home & dry' indeed. Can I recommend you come along to Blue Rinse at Bar Loco this Thursday (29th)? Adam will be performing with his free trio alongside John Pope (double-bass) and Dario Lozano-Thornton (guitar). Dario was one of the Impossibility Knox performance on Thursday last. There'll also be an appearance by Taupe's Mike Parr-Burman in a duo with Charlie Bramley. As a bonus you can catch duo Yeah You delivering 20 mins of totally improvised electro-pop that combines rugged grooves with acerbic socio-theosophical concrete invective...

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