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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

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Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

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Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

August

Thu 01: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 01: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 01: Elsadie & the Bobcats @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 02: Mainly Two @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT! Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Pete Tanton’s Chet Set @ Saltburn Community Hall. 7:30pm. POSTPONED!

Friday, May 16, 2014

Adam Stapleford – Drum Kit. Final Recital @ New Music Studios, Newcastle University. May 15

(Review by Russell).
A highlight of Tyneside’s musical year is the series of recital performances given by music students at Newcastle University. Open to the public, these occasions are always memorable – after all there is much at stake. Are the students terrified? Do they request a last meal? Do they say their goodbyes? If so, Bebop Spoken Here correspondents have yet to see any signs of terror, nerves or foreboding.
At the appointed time (6:00 pm) drummer Adam Stapleford entered the examination room, The place was packed – fellow students, friends, well-wishers and at the back…the examiners. Stapleford is a gigging musician, notably in the trio Taupe (the self-styled power jazz commando team). He wasn’t nervous, no way! He welcomed everyone, took time to talk about each of the five pieces he would play and invited Jamie Stockbridge (alto) and Mike Parr-Burman (guitar) to join him on stage (JS and MPB are the other two thirds of Taupe). Ear plugs were handed out (no kidding), your BSH correspondent declined the use of them, knowing it was going to be loud, thrillingly so!   
Ultradian (comp. Taupe) began the recital. Stapleford’s helpful notes read: This piece starts with a bang, and doesn’t really let up from there on in…They blew them away! For the music student the piece was inspired by: a complex Carnatic (South Indian) rhythmic technique… JS and MPB went for a lie down as Stapleford performed his own composition  Making sense (music students would make sense of the West African polyrhythms). The trio played more complex stuff on Coupling (comp. Taupe), things were going well. The penultimate piece – Cachitos (comp. Stapleford) – heard the examinee solo, examining rhythmic styles found in Venezuelan folk music. Stapleford had his kit positioned side on to enable the audience (and examiners) to see what was going on below decks, his feet working the pedals at a rate of knots (bass drum, two hi-hats and bolted-on cowbells). How he did it is beyond mere mortals. Huge applause. One sensed he was home and dry. The trio reunited for the final piece. Lash (comp. Taupe). This is the band’s party piece. ACV’s Without Bones is one of the great listening experiences, Lash is Taupe’s. Stapleford knew it had gone well. Ten out of ten! It wouldn’t come as a surprise if the boys went out on the lash.
For the record - Adam Stapleford – Drum Kit. Major Specialist Studies: Final Recital. Tutor Geoff Hutchinson 
Footnote – Jamie Stockbridge (alto saxophone) said his own Finals’ recital went well at the short straw time of 9:05 am. He then went for breakfast. 
Russell.

1 comment :

GUSTAV THOMAS said...

Enjoyed this review, Russell - and speaking as one of the examiners, I can tell you he was pretty much 'home & dry' indeed. Can I recommend you come along to Blue Rinse at Bar Loco this Thursday (29th)? Adam will be performing with his free trio alongside John Pope (double-bass) and Dario Lozano-Thornton (guitar). Dario was one of the Impossibility Knox performance on Thursday last. There'll also be an appearance by Taupe's Mike Parr-Burman in a duo with Charlie Bramley. As a bonus you can catch duo Yeah You delivering 20 mins of totally improvised electro-pop that combines rugged grooves with acerbic socio-theosophical concrete invective...

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