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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 06, 2014

Jazz in the Afternoon @ Cullercoats Crescent Club. May 5

Derek Fleck (clarinet & tenor saxophone), Mick Hill (trumpet & vocals), Roy Gibson (keyboards), Bill Colledge (bass) & Fred Thompson (drums) + Barry Soulsby (clarinet), Doris Fenn (banjo), John Broddle (vocals) & Theresa Armstrong (vocals)
(Review by Russell).
Holiday Monday, decent weather, a (part) change in the old guard. Regulars Chester, Hallam & Rillands were excused duties to meet up with Don Fairley for a nice little earner at a Close House golf day. Derek Fleck - famous for fifteen seconds thanks to Jazz Record Requests - held the fort, though he too had been up Hadrian’s Wall country earlier in the day, returning to base in time to MC affairs.
A pint-sized latter day Emperor Hadrian invaded the Crescent Club disguised as XL, a celebratory brew from the Hadrian Border Brewery (brewed to mark the 38th Newcastle Beer Festival). It was the pick on the bar, another beer being described by the barman as ‘lively’. The club was lively, very busy. A microphone short of a PA system (some could happily live with that) meant the instrumentalists featured, uninterrupted by a succession of singers. All of Me opened proceedings followed by Lady Be Good with Fleck on tenor. The unexpected star attraction - trumpeter Mick Hill - played some proper trumpet on Bye Bye Blues then someone called the tired old warhorse Georgia* and it was duly dragged out once more.
During the interval someone arrived with a mic (hoorah!/boo! - delete as applicable). The jazz economy went into overdrive (ie the raffle), a cloud formation banked over the North Sea and the Cullercoats day trippers thought about taking Tyson, the pit bull, home to charm the neighbours.
Cullercoats Lass Theresa Armstrong sang ‘S Wonderful and These Foolish Things. Jazz in the Afternoon wouldn’t be Jazz in the Afternoon without the ‘S Wonderful Theresa. The great Doris Fenn (banjo) sat at the back on one side flanking the vocal-less Fred Thompson (drums), bassist Bill Colledge the other. The seated Mick Hill’s trumpet stood out throughout the afternoon, then surprisingly, the Teesside trumpeter sang  Some Day You’ll Be Sorry. A hidden talent! John Broddle came off the bench as a late sub to sing On the Sunny Side of the Street (Fleck and Barry Soulsby clarinets) and After You’ve Gone (Hill, trumpet, Roy Gibson’s idiosyncratic keyboards). Time to go. Time to join Tyson and co on the Metro home.
Russell.
* Georgia and others. Name the tunes - great tunes, no doubt - that you could live without. Georgia, Autumn Leaves, Summertime - that’s three for starters                       

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance