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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Saturday, May 24, 2014

New Book on Saxophone Harmonics

Pepe Greenaway, who recently returned to the north east, is in the process of publishing a book on saxophone harmonics. Here is an introduction to the book as well as a YouTube snippet
Q. How have you got to this stage of playing.
A. Well, I love Coltrane, mean really love him like a father, and Eric Dolphy, Elvin Jones, anybody who's had anything to do with jazz machine. Alice, Ravi, Darren. People who speak this language I take as part of my extended family, that way you understand them.
Q. Can you tell us about B5, B6, B9, B10 harmonics?
A. Well, I started playing at 18. and was introduced to Nigel Carter, lead trumpet with the BBC radio orchestra, and always wanted to play trumpet. The last conversation I had with Nigel was, "But the 10th interval is sharp 11th, his answer was, " It could be ". So I've been playing trumpet. for the last 5 years, and it's a Lydian dominant series, look up George Russell, there's a whole book on it.
Nigel gave me a copy of Sigurd M. Rascher's Top-Tones for Saxophones, so when I got to CAT (College of Arts and Technology) in Newcastle I was practising this and other tutors for 2 years under Brian Whittle.
I keep the 1st 4 pedal notes  Bb, B, C, Db, to Lydian dominant, but build harmonics after that on an altered series.
Q. So do you think everyone will play harmonics like this in the future?
A, Yes. You could say it's a pity I'm not a time traveller, cause I could give Eric Dolphy a copy, you know he had all those problems with harmonics on alto and tuning his horn, all his complex harmony would have suddenly become clear, as it was he practically ruined every album he was on, apart from anything he did on bass clarinet. He was the best bass clarinettist. In fact that's the clearest proof, he applied his harmony as he would to bass clarinet and it didn't work on alto.
Lance.
PS: Hear Pepe and Jazz Machine at Victoria Hotel, Whitley Bay  (3rd and 4th Tuesdays each month).

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