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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 21, 2014

Jam Session @ Jazz Café May 20.

Peter Gilligan (piano); Paul Grainger (bass); Paul Wight (drums) + Paul Edis (piano); Lindsay Hannon (vocal); Paul Gowland (alto); Stuart Finden (tenor); Fiona Finden (tenor/vocal); Kath Lowdon (vocal) + ?.
(Review by Lance)
A jam session (any jam session) is a many varied thing. One week no one turns up, another week maybe a few wannabees flexing their developing chops and some weeks the big hitters are in town.
Last night was just such a night at the Jazz Café!
The '3 P's in an ipod' that form the resident trio ie Messrs Gilligan, Grainger and Wight (mega fash. new haircut) got the groove going with the familiar and always hypnotic All Blues. The feel good factor was there. Laura, What's New? and other standards followed, Gilligan successfully coping with the piano's tonal idiosyncrasies - he may go down in history as the guy who found the lost chord!
Another P - Paul Edis - also searched for that elusive harmonic compilation whilst stunning us with an up tempo My Funny Valentine that was only twice the speed of light. Needless to say, this was no problem for Wight, nor a danger to Grainger who both hung on in there enjoying the ride.
Time for a song, time for Ms. Hannon. Mean to Me, lots of liberties with her phrasing that worked. Only Anita O'Day could have maybe bettered this version -  maybe. Solitude in 3 wasn't quite as show-stopping but You'd be so Nice to Come Home to certainly was. Helped along by Paul Gowland on alto (so many PGs in the room I half expected Peter Gabriel to walk in) Lindsay put her brand on this Porter masterpiece and Gowland rubber stamped it.
The altoist took centre stage for Ornithology and Autumn in New York and an exotic eastern flavoured piece that I only heard fragments of as I reached for the stars or to be more precise the 23rd floor toilet (exaggeration!)
Next up the Findens toting tenors for a blast on a swinger I vaguely recognised followed by Sister Sadie then a vocal by Fi.
More words by Kath Lowdon, incredible range, on Stormy Weather and some equally stormy alto from Gowland.
Waiting in the wings were Ray Burns, Debra Milne, Kath Jobes and several more but time and train wait for no one so it was adieu until June 3.
Lance. 

1 comment :

Russell said...

The boys went home on the A Train with Stuart 'Mind the Doors' Finden jumping on board in the nick of time (Finden, tenor, Gowland, alto).

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance