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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, May 05, 2014

Firebird Quartet @ The Bridge. May 4









Ian Chalk (trumpet); Martin Longhawn (piano); John Marley (bass); Tim Carter (drums).
(Review by Lance/Photos courtesy of Ken Drew).
This was a stormer! Four York based musicians at the top of their game (and who's to say they won't get even better still - Longhawn and Carter are still just in their mid-twenties) delighted Sunday's Splinter audience with a program of originals and standards performed with much originality. Nature Boy done over a Cuban rhythm, Sonny Rollins' Blue Seven given an easy relaxed swing feel. Chalk has that beautiful fat sound personified by such as Fats Navarro, Clifford Brown and Freddy Hubbard. Tone wasn't sacrificed for technique nor vice versa - the perfect balance. On the Rollins piece the trumpet player used Chris Calver's pint glass for a growl chorus. Chris, who was sitting at the front table nearest the stage beamed with delight. The glass, I hasten to add, was empty!
John Marley has made many trips to Tyneside and most of us are familiar with his, backbone of the band, bass playing. Longhawn too is not unknown in these parts and his solos and support were superb.
However, drummer Carter was the surprise package. I think most present were unfamiliar with the name - they aren't now!
Straight down the middle swing, complex Latin rhythms, contemporary jazz/rock feel he does 'em all. Is he from York down the A19 or the newer version across the pond? He may well be one day.
Yes this was a good session...
Lance.

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