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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, October 26, 2013

Eyes Shut Tight @ Free Thinking, Sage Gateshead. October 25

Paul Baxter (double bass), Tom Taylor (piano) & Kristoffer Wright (drums)
(Review by Russell)
The annual Radio 3 Free Thinking Festival at Sage Gateshead began with In Tune, Sean Rafferty’s weekday programme of convivial conversation and diverse musical offerings. Novelists Lionel Shriver and Michael Chaplin had books to plug, New Generation Artist Kittie Whateley had songs to sing, bearded thinker John Gallagher thought and Eyes Shut Tight had much jazz to play.
Our host spoke of the Geordie welcome, surveyed the arts led regeneration of the riverside and with an easy charm demonstrated he was on top of his brief. Bassist Paul Baxter’s trio opened and closed the show, chatted with the affable Rafferty and played some more. Baxter’s bass was a tad quiet, Tom Taylor could be heard just fine at the Steinway and the self deprecating Kris Wright - ‘I hit it [the drum kit] with sticks’ - came across loud and clear.
Out there in radio land the sound balance was sure to be just right. Baxter had been on Tyneside several times in recent years with Eyes Shut Tight or other line-ups at Sage and at the Bridge Hotel at the other end of the High Level Bridge in Newcastle. T and C, typically restrained, introduced the trio, Transition gave space to all three and as Rafferty wondered out loud if there would be an incendiary number we heard The Precipice (incendiary, Eyes Shut Tight style). A live broadcast on a flagship Radio 3 programme will do nothing but enhance the trio’s profile not withstanding Rafferty’s expressed fear that he would refer to the band as Eyes Tight Shut. He avoided the pitfall until nearing the end of the broadcast when twice committing the sin! Eyes Shut Tight, Eyes Tight Shut…close enough for jazz!
Russell.                      

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