Total Pageviews

Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, October 29, 2013

CD Review: Cecile McLorin Salvant – Woman Child

Cecile McLorin Salvant – vocals, piano (track 10); Aaron Diehl – piano; Rodney Whitaker – double bass; Herlin Riley – drums; James Chirillo – guitar, banjo.
(Review by Debra M.)
Cecile McLorin Salvant  first  made an impression in the jazz world  in 2010, when she unexpectedly won  the  Thelonious Monk International Jazz Competition. Her distinct musical identity was forged growing up in Miami with French & Haitian parents, and by the study of classical and baroque music as well as vocal jazz in Aix-en-Provence, where she began  performing with reed player Jean-Francois Bonnel.
The breadth of material in this début album reflects her interest in the entire canon of vocal jazz, as well as older vocal traditions. In the opening guitar duet St Louis Gal’,  recorded by Bessie Smith around 90 years ago, McLorin Salvant’s  rounded, warm and expressive voice makes an immediate impact. This is followed by the  exquisitely arranged ‘I Didn't Know What Time It Was’,  where the  melodic  vocal  is  supported sparingly by rhythmic  brushes  & piano stabs, and a swinging ensemble, including a fine double bass solo by Rodney Whitaker. 
‘Nobody’, a  song  about discrimination, associated with the early 20th Century African American comedian Bert Williams, is delivered with humour and sensitivity, and is the most traditional arranged piece, with a  ragtime  feel.  Yet the racial stereo types are shrugged off in Sam Caslow’s ‘You Bring Out The Savage In Me’, which is transformed into a jungle inspired, percussion driven love  song  with a splendidly uninhibited vocal. 
There is an extended arrangement of ‘What A Little Moonlight Can Do’, initially as a night time soundscape overlaid by McLorin Salvant’s ethereal vocal tones, which develops into a superfast, swinging  romp. Diehl and Whitaker deliver impeccable solos, abetted by the swift brushwork of Herlin Riley, before  reverting  to the  atmospherics, and a rare  vocal grandstand finish. 
The group’s fresh, contemporary approach is particularly effective in the traditional folk song ‘John Henry’, where the insistent drums and bass line  are almost funky, and which also features one of several masterful solos on the album by pianist Aaron Diehl. There  are a few original pieces,  the most effective  being  the title track ‘Womanchild’, in which Whitaker’s  double bass beats pulse-like throughout, alternating with swinging sections.  McLorin Salvant also shows herself to be an accomplished pianist in the playful ‘Jitterbug Waltz’, delivered with great dynamics, harmonic and rhythmic variation.
Cecile McLorin  Salvant may be just 23, but she not only possesses a beautifully rounded, versatile voice, but  has the poise and maturity to interpret ballads such as ‘There’s A Lull In My Life’ with great sensitivity.  Her style of phrasing and note bending , and the playfulness of her interpretations is reminiscent of Betty Carter, and the timbre and delivery in her lower register  is sometimes suggestive of Sarah Vaughan. These and other artists are surely influences, but her voice is her own. Combined with this ensemble of outstanding  musicians, her début album is irresistible.
Disc details.
Debra M.
Cecile can be heard at the Customs House, South Shields on Thursday October 31 and at the Whitley Bay Jazz Party over this weekend (November 1-3).

2 comments :

Lance said...

Couldn't agree more - a superb CD and a taster of what's to come Thursday to Sunday at Customs House (Thursday) and Village Inn (Friday-Sunday).

Liz said...

loved her voice

Blog Archive