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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 09, 2013

CD Review: Dan Willis and The Velvet Gentleman The Satie Project II

Dan Willis (oboe, soprano, tenor and baritone saxophones, piccolo, English Horn, clarinet, baritone clarinet, contrabass clarinet, duduk, zurna, Chinese flute, hiririchi, yokobue and EWI); Pete McCann (electric guitar); Ron Oswanski (accordion, B3 organ, Wurlitzer, electric piano); Kermit Driscoll (electric and double bass); John Hollenbeck (drums); Richard Sosinsky (double bass (11); Todd Low (ehru); Entcho Todorov (violin); Mark Vanderpoel (electric bass (7); Pablo Reippi (marimba, vibraphone and pitched gongs).
(Review by Steve H).
One of the very few Classical CDs in my collection is an album of piano works by the composer Erik Satie so I was very interested to receive this album with a jazz interpretation of the ‘Velvet Gentleman’s’ work. The CD did not disappoint. The interpretations of Satie’s compositions by Willis are fascinating and the multi instrumental renditions revelatory. This album features 3 main compositions of Satie the Gnossiennes #2 to #6 the Pieces Froides 1,11,111 and 3 takes of Vexations although not necessarily in that order.
Many of the instruments featured I have never heard of.  I thought Duduk and Yokobue were international footballers who played for Liverpool and Everton respectively but they turned out to be just 2 of the 11 instruments Willis plays, including a Hiririchi which not even a Google search could find. The nearest I could get was a Hibachi which is a Japanese barbecue! Fortunately, I found some explanations in the accompanying notes. Willis plays 3 types of double reeded instruments: a Hiririch from Japan, a Dudek and a Zurna from Armenia. Meanwhile a Yokobue is a Japanese flute and an Ehru is a two string Chinese violin. This  amazing collection of instruments makes each tune a delightful discovery where you simply do not know what you will hear next - be it a beautiful Oboe and bowed double bass on Gnossienne #5, an electro fusion on Gnossienne #7 or an oriental jamboree of the aforementioned double reeded instruments on Gnossienne #3.  
For those hoping to hear work similar to the gentle minimalist work of the late 19th century they may be taken aback, but for those wanting to experience a creative, contemporary, unique and exciting creation, they will be wholeheartedly entertained by the whirr of the Wurlitzer, the thrill of the Ehru, the warmth of the Zurna and the happy hiririchi to name but a few. 
The Satie Project 11 is available on Daywood Drive Records.
Steve H.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance