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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Newcastle Jazz Festival - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. £15.00. All day event, line-up:

Zoë Gilby & Andy Champion (1:30pm)

Alan Law Trio (2:40pm)

Mark Williams Trio (3:50pm)

Emma Fisk & James Birkett (5:00pm)

(Evening)

Alexander Bone (6:15pm)

Strictly Smokin’ Big Band (7:45pm).

Blues/Funk/Soul

King Snake - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 31, 2013

Paloma Faith w. Guy Barker Orchestra @ Sage Gateshead. October 30

Paloma Faith (vcl); Naomi Miller, Sabrina Ramikie (backing vcls); Guy Barker (MD) + 42 piece orchestra.
(Review by Lance).
Anyone expecting to hear the jazz trumpet of Guy Barker would be disappointed. Guy's role tonight was that of MD and arranger - a job done brilliantly.
Those who came to hear a sensational soul/jazz/rock singer strutting her stuff, and I guess the three tier full Hall One were there for just that, most certainly weren't - disappointed that is.
From the moment La Paloma made her entrance looking ravishingly gorgeous in a slinky, figure-hugging gown slit tantalisingly high at the back (another inch and...) to the final encore the audience were her slaves.
"Everybody stand" she commanded.
We stood. 
We clapped hands, shook it about a bit, and joined in the spirit. Her vivid red hair topped with matching hairpiece (I guess) stood out as did her distinctive voice. The jazz content came in an up-tempo version of Love Me Or Leave Me with a big fat trombone solo and the dramatic Wild is the Wind. For the rest they were songs familiar to the fans and put over with panache.
The girl's got personality plus with an engaging EastEnders accent.
Her two backing singers, Naomi and Sabrina, did the job and had their own solo spot in the short first set.
Naomi gave us Dusty's Son of a Preacher Man and Sabrina sang Carole King's You Make me Feel Like a Natural Woman. Both impressed.
The 42 piece orchestra worked hard, strings, brass and reeds blending well together although solos were few. From my seat in the stalls the only musician I recognised was Alan Barnes on second tenor although I found out later that it was Ralph Salmins on drums and Ben Castle on clarinet who were featured in the opening Sing, Sing, Sing.
An apt title as that is exactly what the star did - sing, sing, sing - did she not!
I arrived as a curious observer and departed - a converted believer!
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance