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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Friday, October 11, 2013

Roly Veitch / Sue Ferris Trio @ The Gala, Durham.

Roly Veitch (gtr); Sue Ferris (ten/fl); Andy Champion (bs)
(Review and photo by Jerry)
As a lunchtime jazz venue, The Gala is new to me: very new! A big, long room it needed to be with almost all seats taken by an estimated 80-90 people), with bright lights, shiny chrome, and laminate floors. For all the glass and laminate, the acoustics are actually very good and the jazz served up was excellent.
The line-up was visually reminiscent of John Cleese “looking down on” the Two Ronnies with Andy, on the left, towering over Sue, in the middle, who didn't “tower” but still out-topped Roly! To be fair to Roly, he was sitting down! Solos for all in the opener, All of Me, set the tone and showed that, musically, all were equal here! Beautiful Love featured an excellent bass solo which made me think of Rondo alla Turca (don’t know why!) and There Will Never Be Another You brought vocals from Roly and some nice interplay between guitar and sax.
My Romance had foot-tapping sax and subtle guitar (not bad for one weaned, according to the programme notes, on Hank Marvin!) but struck me most for the Lorenz Hart lyrics in which he rejects all the clichés and handy love-song rhymes – moon, lagoon, month of May, hideaway – to assert that all he needs is “you”. Clever stuff, a cut above most lyricists post-1950 and one of the delights, today, of listening to such a fine selection of standards. “Fine” (and also with excellent lyrics) describes their next treat: Kern / Hammerstein’s All the Things You Are.
Bonfa’s bossa nova, Manha de Carnival/A Day in the Life of a Fool illustrated, for me, how the whole mood of a composition can be changed by the instruments on which it is played. I know this tune best as “Black Orpheus” and have always heard it with trombone taking the lead. With no drums, with mellifluous, skipping flute instead of lugubrious trombone and with a galloping bass solo thrown into the mix, it is altogether lighter: A Day in the Life of a HAPPY Fool as opposed to The Tears of a Clown.
Then, aptly, we had Autumn Leaves (which I was trying to brush up this morning) during which I was craning my neck to see who was “brushing” the drums during the bass solo: it was Roly, oh-so-gently strumming in a most un-Marvinlike way!
The Sinatra favourite, In the Wee Small Hours brought gentle vocals and lyrical flute – a beautiful rendition of Sinatra’s “sublime”. The blues, Sandu, closed the set with rasping sax and foot-tapping solos, after which time had flown to the extent that none was left for us to Look for the Silver Lining (number 10 on the programme) – but we needed no consolatory advice: it had been great!
Jerry.

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