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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 07, 2013

Bill Harper Remembers Part 3.

Numerous trombone players spring to mind, Slide Hampton was terrific & after the gig he regaled us with wonderful stories about Dizzy, Monk, Bird etc.George Masso, Jiggs Whigham, Phil Wilson, all great players, were a pleasure to work with but who can compare with Mark Nightingale & my all time personal favourite Roy Williams who has to be the most musical trombonist & all-round good egg of my generation. His selection of material & finely crafted solo work make him revered throughout the world & I have good memories of the friendship we had.
Tal Farlow was a lovely man although Willie Payne gave him a run for his money that night!! But it was not all plain sailing. Joe Newman was a complete pain in the ass & almost came to blows with drummer Dennis Healey but other guys confirmed that his irrational behaviour was quite normal for him. I worked with him again some years later at Ulverston & he was a shadow of his former self. He didn't seem to have a clue where he was & his "chops" had gone. He opened with Bye Bye Blackbird which was barely recognisable & it all went downhill from there.
He couldn't think of anything to play & I had to call the shots-- he was virtually gaga. It must be the sea air at Ulverston because we had a similar problem with Alan Elsdon who was in the first stages of Alzheimer’s & kept asking "I haven't already played this tune', have I?”. Ted Curson was another whose chops had gone & if Sid had not joined him on stage to take some of the weight, he would never have got thro. the night. All very sad
But the daddy of them all was Kenny Davern who was trouble where ever he went. I first met him at Redcar with Roy Williams where I took my elec. piano -- there was no piano provided at the venue which was a big old dance hall. He objected to my piano, he didn't like electric instruments but he changed his opinion when I threatened to go home. Halfway thro . the set he fell out with the sound engineer & instructed him to turn all the mikes off which immediately upset the audience who were complaining that they couldn't hear. The gig ground to a very unsatisfactory conclusion.
The following year I was asked to support him at a pub in Marton which had no piano. I had just arrived at the venue but hadn't yet unloaded my keyboard when he appeared. "What kind of piano do we have tonight?" he asked in his usual sarcastic manner. I said that I would use the house keyb'd & pointed to the far wall to a huge column radiator covered in an elaborate wooden cover which ,from a distance, looked like an old bellows organ. I said that I was sorry that it wasn't electric but that once  I got the front off I should be able to pump it OK! A terrified look appeared on his face until he realised that I was kidding. "You bastard !!!", he said.  (part3)
Bill Harper.
(Photo Bill Harper and Roly Veitch)

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance