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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Thursday, October 03, 2013

Customs House Big Band - Open Rehearsal New Crown, South Shields. October 1

(Review by Peter Ninnim).
The practice of the CHBB to open their rehearsal to their supporters on the first Tuesday of each month, is a great opportunity for all big band enthusiasts to not only hear the band but also to appreciate the painstaking way in which the Band under the direction of their Conductor Peter Morgan achieve the great results that jazz lovers hear at the band's public performances.
This Tuesday Brenda and I were the only members of the public in evidence and as usual we were made most welcome by everyone. As we had been unable to attend the last two gigs we were pleased to be there.
The evening splits into two parts. The first half allows the band to work on new pieces to the already huge repertoire, and for me this is the most interesting part. The second part is an opportunity to make requests.
The band started with Kurt Weill and Maxine Anderson's September Song. This was very much tweaking the number as it sounded pretty good immediately. This is not the dreary and weary version we are used to hearing performed by dire singers everywhere but a sparkling medium tempo swinger with an arrangement by a band member (sorry did not get the name). After a few discussions about phrasing and tempo throughout, the final version was ready for the next concert!
The band then moved on to a piece with which I was not familiar; Carmelo's by the Freeway by Bob Florence. This was at an earlier stage of development and it was fascinating to see the steady build up of the tempo and the line by line examination of the harmonies and phrasing and ensuring everyone in the band was on the same page. This is a huge piece and by the time 30 minutes had passed it was transformed; almost there! Of course in my opinion the arrival of Barry Black (drums) in the hot seat at the back has strengthened the whole band, not that there is any weakness that I can hear.
After the interval requests. My other half asked for Sweet Georgia Brown and as a result we got two versions, both great. At the end there was some discussion about the preferred version; Nestico lost! Peter Morgan selected Body and Soul (excellent) and then an up tempo version of I've Got Rhythm. We requested Kid from Red Bank which was taken at a cracking tempo and with knockout piano solo by Bill Britain. This was followed by Lil' Darlin’, a tune by Neil Hefti that I always thought was over rated and it seemed to me to drag a bit.
The last number was Benny Golson's Killer Joe which reminded me to re-visit my Art Blakey albums to see if I have it somewhere.
What a great evening!
Peter Ninnim
PS Went to Da Vinci's on Ocean Road earlier and it was first class. 

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