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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, October 27, 2013

Pink Lane Jazz Co-op: Lindsay Hannon and The Blue Jazz Quartet @ Salsa Cafe, Westgate Road, Newcastle (Part 1)

Lindsay Hannon (vocals); Chris Finch (keys); Jeff Smith (saxes); Dave Parker (bass) Michael Howard (drums) Minus Karen Rann (sop. sax, but away doing an art commission)
(Review by Ann Alex).
I entered to see lots of people eating deliciously at small square tables, but there were seats at the front for those who only wanted to listen.  A lively atmosphere with pleasant food smells and a younger audience than at many jazz gigs.  The band began with three instrumentals, an angular tune - Work Song; Beautiful Love; and Alice In Wonderland. Jeff was in fine soloing fettle, there was a drum and bass section in the second tune, and Chris played lovely lyrical keys, as we've come to expect.  
Lindsay then stepped up with a well improvised At Long Last Love and A Foggy Day In London Town, using neat short phrases, a good variation from the drawling way this song is often sung.  Then came one of Lindsay’s masterpieces, Willow Weep For Me, with heartfelt almost-shouts, a song which always reminds me of Ophelia in Hamlet.  I loved Song For My Father, Latin beats of course, and a drum solo which gave Michael a chance to shine, well to beat, anyway.  The first half ended with Love Me Or Leave Me, with adventurous time variations.  Part 2 to follow.
Ann Alex.

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