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Bebop Spoken There

Peter Ind: "Rightly or wrongly, I didn't value his [Miles Davis] contribution that much." - (Jazzwise October 2020).

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

FRIDAY 25

SouLutions Sistas - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (7:00pm doors). £10.00. SOLD OUT!

SATURDAY 26

Boys of Brass - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. 7:00pm. £10.00. + £1.37 bf for table for two. Other packages available. See www.tynebankbrewery.co.uk.

SUNDAY 27

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Tel: 0191 691 7090. Free.

OCTOBER

THURSDAY 1

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Sunday, October 27, 2013

Pink Lane Jazz Co-op: Lindsay Hannon and The Blue Jazz Quartet @ Salsa Cafe, Westgate Road, Newcastle (Part 1)

Lindsay Hannon (vocals); Chris Finch (keys); Jeff Smith (saxes); Dave Parker (bass) Michael Howard (drums) Minus Karen Rann (sop. sax, but away doing an art commission)
(Review by Ann Alex).
I entered to see lots of people eating deliciously at small square tables, but there were seats at the front for those who only wanted to listen.  A lively atmosphere with pleasant food smells and a younger audience than at many jazz gigs.  The band began with three instrumentals, an angular tune - Work Song; Beautiful Love; and Alice In Wonderland. Jeff was in fine soloing fettle, there was a drum and bass section in the second tune, and Chris played lovely lyrical keys, as we've come to expect.  
Lindsay then stepped up with a well improvised At Long Last Love and A Foggy Day In London Town, using neat short phrases, a good variation from the drawling way this song is often sung.  Then came one of Lindsay’s masterpieces, Willow Weep For Me, with heartfelt almost-shouts, a song which always reminds me of Ophelia in Hamlet.  I loved Song For My Father, Latin beats of course, and a drum solo which gave Michael a chance to shine, well to beat, anyway.  The first half ended with Love Me Or Leave Me, with adventurous time variations.  Part 2 to follow.
Ann Alex.

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