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Bebop Spoken There

Charlie Musselwhite: "I used to see these posters in the windows of the [Chicago] blues clubs advertising Elmore James and Muddy Waters which knocked me out. I was making a note of the addresses and at night I'd go back and listen to the blues until 4-5 in the morning." - (Blues Matters! Aug/Sep 2021)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,530 (and counting) posts since we started blogging 13 years ago. 948 of them this year alone and, so far, 112 this month (July 31).

Tuesday, October 08, 2013

Francois Bourassa Quartet Lit & Phil, Newcastle. October 7

Francois Bourassa (piano), André Leroux (tenor & soprano saxophones), Guy Boisvert (double bass) & Greg Ritchie (drums)
(Review by Russell, photos by Ken Drew).
Pianist Francois Bourassa sported a black t-shirt bearing the legend Effendi. The genial Canadian clearly took the opportunity to promote the Toronto-based record label on which his 2011 CD Idiosyncrasie was released. 
The two sets heard at the Lit & Phil featured material from the CD and an earlier album – Rasstones. The live experience differed markedly to the recorded output. Frequently smiling, Bourassa played rattling good, swinging piano, encouraging, then responding to, the in-the-pocket bass and drums of long-time cohorts Guy Boisvert and Greg Ritchie. Isola from Idiosyncrasie started proceedings and the quartet confirmed that they could play, then some! Bourassa has known and worked with his band mates for years and it showed. André Leroux opened his account on tenor with conviction, possessing ‘front man’ presence. Chant Poo from Rasstones saw him switch to soprano, weaving in and out of Bourassa’s clock work nursery rhyme. A three-part suite – the ‘German’ – from the 2011 release held the audience rapt; big tenor and scintillating, swinging piano trio playing drawing loud applause. The second set heard Haiku-Darmstadt and from Rasstones the deceptive Nationz – a ballad beginning, developing into a robust up-tempo group workout. Bourassa’s quartet proved to be a well-honed unit focusing on group improvisation with the bonus of Leroux taking command from time to time, an extended tenor-drums (Greg Ritchie) exchange a particular highlight. CD sales were brisk, most going during the interval, the rest by the end of the night. As so often is the case, the live experience won out. A good gig with a decent crowd in, all in all a good night of contemporary jazz.  
Russell.       

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