Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, May 17, 2013

Lindsay Hannon Plus Plus @ Hoochie Coochie May 16.

Lindsay Hannon (vcl); Paul Gowland (ten); Graham Hardy (tpt); Alex Leathard (tmb); James Harrison (pno); John Pope (bs); Mark Robertson (dms).
(Review by Lance)
Ironic that, as the Hoochie jazz nights draw to a close, the crowds increase and tonight was very well attended for a stonking session by Lindsay and her plus plus. The extra plus being the horn section of Gowland, Hardy and Leathard. Paul's had a busy 24 hours - Star the night previous, Uni gig this afternoon and this one. All brilliant in their own way.

However, it was the basic plus that helped Lindsay hit the ground running with her "Wham Bang Thank You Mam" version of The Very Thought of You. Not my idea of how this most romantic of ballads should be treat but it has to be said that Lindsay does it very well. So Long Big Time with its effectively double tempoed mid-chorus followed and James Harrison soled with panache.
The first of the horns showed on I'm a Fool to Want You - Hardy blowing a tightly muted solo. Gowland next on I Ain't Got Nothin' But the Blues. This was a real blast! The Hissing of the Summer Lawns added slideman Leathard and all three horns swung out on Honeysuckle Rose but the piece de resistance was Lindsay's take on Bjork's It's So Quiet - which it was (at first!)
It was a good opening set despite or maybe even because of the crowd noises. The atmosphere was that of an old time jazz club (sans smoke) with the cognescenti sitting listening intently down front and the less committed drinking and chatting at the bar yet still absorbing the music without being shushed. 
If you want a sepulchral atmosphere go to church or to a concert hall not a bar.
The second set began with What a Little Moonlight Can do and featured a boisterous Leathard trombone solo. Leonard Cohen's Suzanne, Is You Is or Is You Ain't my Baby? and a song, the title of which escapes me but contains the immortal line When I was five you tried to drown me. followed
I had to leave around about this point but the evening had been a great success. Lindsay, the horns and the rhythm section of Harrison, Pope and Robertson gelled to perfection.
Lance.

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