Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18754 (and counting) posts since we started blogging 18 years ago. 618 of them this year alone and, so far this month (July 28) 82

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Paul Skerritt Swing Trio @ The Vault, Darlington. 8:00pm. Free.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Sun 02: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 2/2.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 02: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Sue Ferris.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival event. 2/2.
Sun 02: Nel Begley & Paul Edis @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Tuesday, May 14, 2013

CD Review: Pat Metheny – Tap: John Zorn’s Book of Angels Vol 20

Pat Metheny (guitars, sitar, tiples, bass, keyboards, orchestrionics, electronics, bandoneon, perussion, flugelhorn), Antonio Sanchez (drums, percussion)
(Review by Les)
Back in the nineties, John Zorn wrote 500 tunes inspired by traditional Jewish music.  This became known as Book One of the two volume work that became known as The Masada BookBook Two consisted of 300 tunes and was written in three months.
Over the past eight years, the tunes from Book Two have been recorded as volumes of The Book of Angels by a number of world-class musicians.  Volume 20 is a selection of six pieces recorded by Pat Metheny, assisted by his oft percussionist Antonio Sanchez.
Metheny’s interpretation of the pieces chosen culminates in a very varied and rich body of work, although generally there’s a strong, Middle Eastern “common denominator” running throughout the album.
It’s hard to believe that Tap was recorded by one artist, such is the diversity of the individual pieces, both in terms of composition and instruments/soundscapes used; from the sitar-dominated opener of Mastema, to the obviously “acoustic-Metheny” of Albim, concluding with a piano/drum chaotic cacophony Hurmiz.  In between there’s wild, abstract, heavily-distorted guitar soloing, complex and very precise rhythms and melodies, spiced with sounds and scrapings of…who knows what.
Despite the diversity of the pieces, as a body of work it all hangs together remarkably well.  It’s not background music; it has to be listened to, and it’s far too complex to be able to take it all in in one listen.  I’ve been through it a number of times now and it continues to reveal itself further with each play.
Whilst there are times it’s obvious who the main protagonist is, this isn’t your average, run-of-the-mill Pat Metheny album.  That said, the playing oozes his class and quality from start to finish.
I like this album on a number of levels; from the standpoint of a (one time) guitarist, from the standpoint of being a fan of creative jazz and from the standpoint of occasionally wanting something very different to listen to, to clear and refresh a sometimes tired listening palette.
Invest some time with it at the outset and you’ll enjoy return visits forevermore.
Pat Methrny: Tap released May 21, 2013.
Les.

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