Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18469 (and counting) posts since we started blogging 18 years ago. 333 of them this year alone and, so far this month (April 27 ) 67

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Thu 30: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: International Jazz Day & JANE AGM.
Thu 30: Duke Junction @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Nadim Teimoori (tenor sax); Jeff Hewer (guitar); Martin Longhawn (organ); Steve Hanley (drums). An International Jazz Day event & the 12th anniversary of Newcastle Jazz Co-op acquiring the Globe!

May

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 01: Bede Wind Band + East Coast Swing Band @ Cullercoats Methodist Church. 7:30pm. £10.00. Tickets from: www.ticketsource.com, members of Bede Wind Band & at the door. Memorial concert for Anne-Marie Purvis, who was a member of both ensembles. All proceeds to Tiny Lives Trust.
Fri 01: Louis Louis Louis @ Saltburn Community Hall. 7:30pm. £15.00.

Sat 02: Midnite Follies Orchestra @ St Augustine’s Parish Centre, Darlington. 12:30pm. £20.00. Darlington New Orleans Jazz Club. All-star line-up.
Sat 02: Knats Masterclass & Jam II @ The Glasshouse, Gateshead. 1:00-3:00pm. £15.00.
Sat 02: Shannon Pearl + John Pope & John Garner @ Langley Tracks, Langley on Tyne NE47 5LA. 5:30pm (doors). £15.00. + £1.50. bf. ‘Witch-pop’ + Pope & Garner.
Sat 02: Knats + Nauta @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 02: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 03: Chilcott Jazz Mass @ St George’s Church, Jesmond, Newcastle. 9:30am. Free. Sung communion with Parish Choir (featuring Bob Chilcott’s music). A Jesmond Community Festival event.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 03: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Mark Toomey (alto sax).
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 03: Tom Waits for No Man @ Oxygenic, Whitley Bay. 3:00pm (2:30pm doors). Neckties and Boxing Gloves album launch. £14.00 (gig & a CD); £8.00 (gig only).
Sun 03: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76.
Sun 03: John Pope & John Garner @ The Globe, Newcastle. 8:00pm. £12.00., £10.00.

Mon 04: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Pete Tanton’s Cuban Heels @ The Library, South Parade, Whitley Bay. 2:00-4:00pm. Free.
Mon 04: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 05: Leah Kirk (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 2:30pm. Free, open to the public.
Tue 05: Jenny Baker (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 4:20pm. Free, open to the public.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Tim Johnston (drums).
Tue 05: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, May 14, 2013

CD Review: Pat Metheny – Tap: John Zorn’s Book of Angels Vol 20

Pat Metheny (guitars, sitar, tiples, bass, keyboards, orchestrionics, electronics, bandoneon, perussion, flugelhorn), Antonio Sanchez (drums, percussion)
(Review by Les)
Back in the nineties, John Zorn wrote 500 tunes inspired by traditional Jewish music.  This became known as Book One of the two volume work that became known as The Masada BookBook Two consisted of 300 tunes and was written in three months.
Over the past eight years, the tunes from Book Two have been recorded as volumes of The Book of Angels by a number of world-class musicians.  Volume 20 is a selection of six pieces recorded by Pat Metheny, assisted by his oft percussionist Antonio Sanchez.
Metheny’s interpretation of the pieces chosen culminates in a very varied and rich body of work, although generally there’s a strong, Middle Eastern “common denominator” running throughout the album.
It’s hard to believe that Tap was recorded by one artist, such is the diversity of the individual pieces, both in terms of composition and instruments/soundscapes used; from the sitar-dominated opener of Mastema, to the obviously “acoustic-Metheny” of Albim, concluding with a piano/drum chaotic cacophony Hurmiz.  In between there’s wild, abstract, heavily-distorted guitar soloing, complex and very precise rhythms and melodies, spiced with sounds and scrapings of…who knows what.
Despite the diversity of the pieces, as a body of work it all hangs together remarkably well.  It’s not background music; it has to be listened to, and it’s far too complex to be able to take it all in in one listen.  I’ve been through it a number of times now and it continues to reveal itself further with each play.
Whilst there are times it’s obvious who the main protagonist is, this isn’t your average, run-of-the-mill Pat Metheny album.  That said, the playing oozes his class and quality from start to finish.
I like this album on a number of levels; from the standpoint of a (one time) guitarist, from the standpoint of being a fan of creative jazz and from the standpoint of occasionally wanting something very different to listen to, to clear and refresh a sometimes tired listening palette.
Invest some time with it at the outset and you’ll enjoy return visits forevermore.
Pat Methrny: Tap released May 21, 2013.
Les.

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