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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, May 30, 2013

Film Review ‘Beware of Mr Baker’ Director Jay Bulger

(Review by Steve.)
This movie begins as it ends with the 75 year old Baker breaking the directors nose on camera by attacking him with a  cane. 
This is not so much a ‘Rockumentary’  as a ‘Jazzumentary’ for Ginger Baker is first and foremost a Jazz drummer although he found  fame and fortune with  cult rock outfits Cream and Blind Faith. To this day his drumming heroes are Phil Seamen, Max Roach, Art Blakey and Elvin Jones. As Eric Clapton says on camera he was in a different league to the two rock drumming  giants of the late 60’s and early 70s John Bonham and Keith Moon .
Clapton explains that Baker is not just a drummer but a consummate musician able to compose, arrange and lead. Amazingly, unlike the aforementioned two rock drum legends  he is still alive despite leading a similar life of debauchery and serial drug abuse.
Baker, age 14, first got into Jazz when acting as a decoy for a gang nicking records he heard Max Roach on the ‘Quintet of the Year’ album (the other four members were Dizzy, Bird, Bud Powell and Mingus) he stole the LP despite not having a record player and subsequently got ‘strapped’ by his mum when she found out.
 In the late 70’s Baker was the first musician to really get into ‘World Music’  and he went to live in Nigeria for several years to collaborate with the great Fela Kuti. Bizarrely it was also whilst in Nigeria that he got into Polo which has subsequently become a life’s obsession so much so that Ginger seems to have chukkered all of his money on importing dozens of horses to which ever country his nomadic lifestyle takes him.  
This biopic, like its protagonist, pulls no punches. It makes great use of archive photographs and animated charcoal drawings to illustrate scenes from  Mr Baker’s colourful past.  
Baker comes across as a thoroughly unpleasant character despite being one of the giants of modern Jazz/Rock drumming.  To be a member of his family either musically or domestically seems to have been a fraught and literally threatening experience. However, as far as this movie is concerned he is a riveting, engaging,  humorous yet frightening subject – recommended viewing!
‘Beware of Mr Baker’ - Tyneside Cinema 13:55 today (May 30).

1 comment :

Anonymous said...

Thanks for the very useful synopsis. I'm really looking forward to seeing the movie, although sadly I can't get to the screening at the (wonderful) Tyneside Cinema. I'll have to wait for the DVD release.
Ginger's still very active (I suspect the unfortunate reality is that he needs the money). Ginger Baker's Jazz Confusion features Ginger, Pee Wee Ellis on sax, Alec Dankworth on bass (son of Johnny Dankworth & Cleo Laine) and African "drum driver" Abass Dodoo on percussion. Jazz laced with African rhythm. They played The Cluny last year - I really recommend making the effort to see them (before it's too late!). Check out the upcoming tour dates here if interested http://www.ents24.com/uk/tour-dates/ginger-bakers-jazz-confusion.
Thanks again for the film review. Whilst he's undoubtedly a "difficult" human being, his continued musical legacy's right up there with the best of them - and as you point out, covering more genres than most.
Cheers, Les.

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