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Bebop Spoken There

Xhosa Cole: ''Monk was unapologetically himself". (Jazzwise, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17744 (and counting) posts since we started blogging 17 years ago. 64 of them this year alone and, so far, 64 this month (Jan. 26).

From This Moment On ...

January

Fri 31: Alan Barnes Quartet @ The Old Library, Auckland Castle, Bishop Auckland. 12 noon-2:00pm (two sets). £12.00. admission (card or cash at the door). Barnes (alto sax, baritone sax, clarinet); Alan Law (piano); Mick Shoulder (double bass); Tim Johnston (drums). Note change of venue, no longer at Mrs M’s as advertised, the concert will be in the Old Library (Bishop Auckland Jazz’s regular venue). Important! It’s a ‘BYOB’ arrangement - ie bring your own booze (and/or tea, coffee, soft drinks).
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Café Orkestar @ Café Under the Spire, Gateshead. 6:00pm. ‘Klezmer, Gypsy Jazz, Balkan & More!’.
Fri 31: Nothing in Rambling @ Prohibition Bar, Newcastle. 7:00pm. £10.00. + bf. Country blues duo.
Fri 31 Zoë Gilby Quartet @ Wylam Institute. 7:30pm (7:00pm doors). £15.00. + £1.50. bf.
Fri 31: Creakin’ Bones & the Sunday Dinners @ White Room, Stanley. 7:45pm. £10.00 + bf. Jazz, blues , jump jive, rock ‘n’ roll.
Fri 31: Alan Barnes Quartet @ The Traveller’s Rest, Darlington. 8:00pm. £15.00 Barnes (alto sax, baritone sax, clarinet); Alan Law (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 31: SwanNek + Rivkala @ Pilgrim, Newcastle. 8:00pm. SwanNek’s new single launch gig. Pilgrim, formerly Hoochie Coochie.
Fri 31: King Bees @ Blues Underground; Nelson St., Newcastle. 9:00pm. Free. Superb Chicago blues band.

February 2025

Sat 01: Alan Barnes & John Hallam with the Tom Kincaid Trio @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning - Cy Coleman’s Witchcraft. Enrol at: learning@jazz.coop.
Sat 01: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 01: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 01: Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Western swing etc.

Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Lewis Watson Quartet @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm. Free (donations).
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Spilt Milk @ St. James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 02: Jive Aces @ The Fire Station, Sunderland. 7:00pm. Sun 02: John Pope + Andy Champion + Ian Paterson @ The Globe, Newcastle. 8:00pm. ‘Subterranean Explorations 1’. Three (half hour) solo bass sets.
Sun 02: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 03: Andy Watt & Dan Rogers @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance. Jazz, blues, folk etc.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 04: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Bailey Rudd.
Tue 04: Dilutey Juice + Life Aquatics Band @ The Glasshouse, Gateshead. 8:00pm.

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 13, 2013

Miles Ahead by BOP @ Tyne Theatre May 5, 2013


Dollie Henry (choreographer) Paul Jenkins (musical director/flugel) Jason Yarde (alto) Julian Seigel (tenor) Jay Phelphs (trumpet) Jo Caleb (guitar) Graham Harvey (piano) Neil Charles (bass) Shane Forbes (drums)
(Review by Dave Parker)
This was an unusual evening’s entertainment put on by an innovative company with a total commitment to jazz. Sadly there was only a small audience to enjoy it.
Body of People (aka BOP) is a contemporary jazz dance and music theatre company set up in 1999 by choreographer Dollie Henry and jazz trumpeter Paul Jenkins. BOP aims to promote and develop jazz music and dance through performance and education.
The first half of the show was called Footprints in Jazz and it told the story of jazz from African roots to West Side Story. It was 40 minutes of creative dance sequences involving different combinations of the nine dancers. The music featured Paul Jenkins’ clever arrangements of Footprints, Blues in the Night, Caravan and other standards but it was all recorded. I was beginning to think I had been misled about the live music.
I was relieved when the second half started and there, on stage, were eight of the UK’s finest jazz professionals playing Miles Davis’ compositions including All Blues, Solar, Flamenco Sketches, So What, Milestones, Tutu and more. This wasn’t a tribute band, it was contemporary interpretation of well known tunes with top quality improvisation. Jason Yarde’s alto solos were fast and furious, Seigel on tenor was masterful and Phelps’ muted trumpet at times sounded just like Miles. Some numbers featured just the band, others featured the dancers who clearly responded to the live music.
This was exciting music, expressive dance and excellent entertainment. So why did so few people come to see it? Perhaps it is the problem of being a cross-over concept – jazz enthusiasts may not want dance to ‘spoil their music’ while ‘jazz’ sounds old fashioned to many contemporary dance lovers. A show like this needs a lot of promotion – which it didn’t get.  
But there’s hope for the future. The majority of the small audience was teenage girls, probably aspiring dancers and they will have learned something about jazz in general and Miles Davis in particular. Also they will have heard for themselves how exciting live improvised music can be.
Dave Parker.

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