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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 13, 2013

Miles Ahead by BOP @ Tyne Theatre May 5, 2013


Dollie Henry (choreographer) Paul Jenkins (musical director/flugel) Jason Yarde (alto) Julian Seigel (tenor) Jay Phelphs (trumpet) Jo Caleb (guitar) Graham Harvey (piano) Neil Charles (bass) Shane Forbes (drums)
(Review by Dave Parker)
This was an unusual evening’s entertainment put on by an innovative company with a total commitment to jazz. Sadly there was only a small audience to enjoy it.
Body of People (aka BOP) is a contemporary jazz dance and music theatre company set up in 1999 by choreographer Dollie Henry and jazz trumpeter Paul Jenkins. BOP aims to promote and develop jazz music and dance through performance and education.
The first half of the show was called Footprints in Jazz and it told the story of jazz from African roots to West Side Story. It was 40 minutes of creative dance sequences involving different combinations of the nine dancers. The music featured Paul Jenkins’ clever arrangements of Footprints, Blues in the Night, Caravan and other standards but it was all recorded. I was beginning to think I had been misled about the live music.
I was relieved when the second half started and there, on stage, were eight of the UK’s finest jazz professionals playing Miles Davis’ compositions including All Blues, Solar, Flamenco Sketches, So What, Milestones, Tutu and more. This wasn’t a tribute band, it was contemporary interpretation of well known tunes with top quality improvisation. Jason Yarde’s alto solos were fast and furious, Seigel on tenor was masterful and Phelps’ muted trumpet at times sounded just like Miles. Some numbers featured just the band, others featured the dancers who clearly responded to the live music.
This was exciting music, expressive dance and excellent entertainment. So why did so few people come to see it? Perhaps it is the problem of being a cross-over concept – jazz enthusiasts may not want dance to ‘spoil their music’ while ‘jazz’ sounds old fashioned to many contemporary dance lovers. A show like this needs a lot of promotion – which it didn’t get.  
But there’s hope for the future. The majority of the small audience was teenage girls, probably aspiring dancers and they will have learned something about jazz in general and Miles Davis in particular. Also they will have heard for themselves how exciting live improvised music can be.
Dave Parker.

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