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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16221 (and counting) posts since we started blogging 16 years ago. 103 of them this year alone and, so far, 47 this month (Feb. 18).

From This Moment On ...

February 2024

Thu 22: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 22: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Remi Coulthard-Boardman (voice).
Thu 22: Crooners @ Darlington Hippodrome. 7:30pm. £30.00., £27.00., £24.00., £18.00.
Thu 22: Merlin Roxby @ Prohibition Bar,
Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 22: Soznak @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 22: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Kevin Eland (trumpet); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass).
Thu 22: Vieux Carré Jazzmen @ Carlisle Jazz Club (Carlisle Rugby Club), Warwick Road, Carlisle CA1 1LW. 8.30pm. £10.

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, May 17, 2013

Mike Papapavlou’s Finals Recital @ Newcastle University. May 16, 2013

Mike Papapavlou (guitar) + accompanists Paul Gowland (tenor saxophone), Ruairidh Patfield (electric bass) & Lewis West (drums)
(Review by Russell)
Summer term is nearing its end. Cramming, late nights, its examinations time! In the  basement of the Music Studios on the main campus of Newcastle University a procession of final year music students were in the spotlight, no, make that under the microscope. At five o'clock jazz guitarist Mike Papapavlou stood on stage awaiting his turn. If he was nervous he didn't let it show. The examiners were delayed…five minutes, then ten. At a quarter past five they arrived, took their seats and it was all eyes (and ears) on Papapavlou. The place was packed. Was this a recital or a gig? If Mike wasn't nervous then some of us in the audience were!
The programme was well chosen and well balanced. The first piece, a Papapavlou composition - Dorios - went well, better than well. The tune incorporated elements of the Dorian mode, the harmonic structure based on minor thirds.  We were willing the genial guitarist to do himself justice. Sharing the stage with him were student friends bassist Ruairidh Patfield and drummer Lewis West. We shouldn’t have worried. The applause told us things were going well. The examinee invited tenor saxophonist Paul Gowland to join him on stage to blow on Half Nelson. Foil or contrast, Gowland gave sterling support to the main man.
The boys in the band were stood down to allow Papapavlou to play solo. Bemsha Swing and When You Wish Upon a Star examined tone and volume control - they could not have been better - and Mike P’s sense of time was spot-on (foot tapping clearly audible). This was Joe Pass and Martin Taylor - bass lines running simultaneously with streams of improvisatory invention…this was Mike Papapavlou! At the conclusion of the Disney song a perceptive listener said: Beautiful! Quite so, sir.
Messrs. Gowland, Patfield and West returned to the stage and the band - and it was a band - nailed it on Coltrane’s Syeeda’s Song Flute. It was at this point that this reviewer forgot this was an examination, this was a gig! Free entry too! The final piece - From Seed to  Bloom -  proved to be a revelation. The guitarist’s helpful notes informed the reader that this was a composition by the Cypriot piano trio Anakreon. Some of us will be seeking out recordings of this trio. The recital at an end, the applause said it all. Mike thanked his band mates; Paul Gowland was an inspired choice for the occasion, drummer Lewis West played a blinder and Ruairidh Patfield’s bass playing was bang-on. It was a privilege to be present on such a triumphant occasion.     
Russell.   

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