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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 17, 2013

Mike Papapavlou’s Finals Recital @ Newcastle University. May 16, 2013

Mike Papapavlou (guitar) + accompanists Paul Gowland (tenor saxophone), Ruairidh Patfield (electric bass) & Lewis West (drums)
(Review by Russell)
Summer term is nearing its end. Cramming, late nights, its examinations time! In the  basement of the Music Studios on the main campus of Newcastle University a procession of final year music students were in the spotlight, no, make that under the microscope. At five o'clock jazz guitarist Mike Papapavlou stood on stage awaiting his turn. If he was nervous he didn't let it show. The examiners were delayed…five minutes, then ten. At a quarter past five they arrived, took their seats and it was all eyes (and ears) on Papapavlou. The place was packed. Was this a recital or a gig? If Mike wasn't nervous then some of us in the audience were!
The programme was well chosen and well balanced. The first piece, a Papapavlou composition - Dorios - went well, better than well. The tune incorporated elements of the Dorian mode, the harmonic structure based on minor thirds.  We were willing the genial guitarist to do himself justice. Sharing the stage with him were student friends bassist Ruairidh Patfield and drummer Lewis West. We shouldn’t have worried. The applause told us things were going well. The examinee invited tenor saxophonist Paul Gowland to join him on stage to blow on Half Nelson. Foil or contrast, Gowland gave sterling support to the main man.
The boys in the band were stood down to allow Papapavlou to play solo. Bemsha Swing and When You Wish Upon a Star examined tone and volume control - they could not have been better - and Mike P’s sense of time was spot-on (foot tapping clearly audible). This was Joe Pass and Martin Taylor - bass lines running simultaneously with streams of improvisatory invention…this was Mike Papapavlou! At the conclusion of the Disney song a perceptive listener said: Beautiful! Quite so, sir.
Messrs. Gowland, Patfield and West returned to the stage and the band - and it was a band - nailed it on Coltrane’s Syeeda’s Song Flute. It was at this point that this reviewer forgot this was an examination, this was a gig! Free entry too! The final piece - From Seed to  Bloom -  proved to be a revelation. The guitarist’s helpful notes informed the reader that this was a composition by the Cypriot piano trio Anakreon. Some of us will be seeking out recordings of this trio. The recital at an end, the applause said it all. Mike thanked his band mates; Paul Gowland was an inspired choice for the occasion, drummer Lewis West played a blinder and Ruairidh Patfield’s bass playing was bang-on. It was a privilege to be present on such a triumphant occasion.     
Russell.   

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