Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Sunday, May 19, 2013

CD Review: Raquel Cepeda - I'm Confessin'


Bob Chadwick -  flutes; David Caceres - alto & tenor sax; Warren Sneed – tenor & soprano sax; Dennis Dotson  - trumpet; Paul English - piano, flugel horn, trumpet; Thomas Hulten  trombone; Brennen Nase - guitar; Guil Fonseca - guitar; Jeffry Eckels - Bass; Dean Macomber  - drums; Jorge Orta - Cro-Cro, percussion; Tony Parana - percussion; James Metcalfe  - percussion; Marcia Sterling - violin; Oleg Sulyga  - violin; Dan Strba – viola; Shino Hayashi -  cello.
(Review by Debra).
Venezuelan  jazz singer Raquel Cepeda is now resident in Houston, on account of her day job (no doubt far better paid) , as a geologist in the Texas oil industry.  Her solo debut is of jazz standards and a number of South American   bossa  novas, sambas and boleros. 
 Tonada de Luna LLena’, by compatriot Simon Diaz, is the outstanding track, with Cepeda’s  powerful, warm timbred vocal overlying  Andean flutes and percussion. Her expressiveness is similarly effective  in  the  ballad s which make up much of the rest of the album, particularly  Somios Novios and Besame Mucho.  The up tempo  numbers – What Is This Thing Called Love?, I Don’t Know Enough About You, East of The Sun -  give  the band,  led by Paul English, pianist and album producer, a chance to really swing, and the opportunity for the various  musicians to make solo contributions. However, there  is little improvisation from Cepeda, nor much variation in the phrasing or timing of her vocal delivery of the lyrics. Not surprisingly,  her fine voice is really  at home with  the Latin component of her repertoire, and that is likely to be  where her musical future, and possibly also her audience,  lies….. 
Debra.

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