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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tuesday, May 14, 2013

CD Review: Deborah Latz - Fig Tree.


Deborah Latz – vocals; Jon Davis – piano; John Hart – acoustic & electric guitars; Ray Parker – double bass; Willard Dyson – drums, percussion; Peter Apfelbaum, tenor & soprano sax, flutes, percussion, Abdoulaye Diabate – voice on She Was.
(Review by Debra M.)
Fig Tree, Deborah Latz’s third album, comprises vocal jazz classics plus a number of World Music - flavoured songs, mostly original compositions. The opening   Blue Skies has a laid back, slightly funky groove. Other stylishly delivered standards  include; Hi-Fly, You’d be so Nice to Come Home to and S’wonderful, the latter featuring Ray Parker who can be heard  vocalising  his  solo.
The Brooklyn based singer has made the most of her top notch ensemble, with Parker and Jon Davis making compelling contributions, especially in duets with the vocalist. Embraceable You, by far the shortest track, is sung virtually acapella with Parker soloing on double bass throughout. This stripped down arrangement highlights Latz’s heartfelt interpretation of the lyric, as well as the purity of her tone and fine vocal control. She is also a linguist, and  is at ease with Latin rhythms, giving a relaxed rendition of Corcovado and E Luxo So in Portuguese, and of the Hellenic  folk song  Fevgo in Greek.
The guest multi-instrumentalist Peter Apfelbaum plays a treat, with a gorgeous tenor sax solo on Ill Wind, as well as making significant contributions to Latz’s originals. 
She Was,  an unusual  musical eulogy to her stepmother,  begins with a soundscape of percussion, bass and flute evoking a storm, which resolves into the sound of the ocean. It also features the Malian singer Abdoulaye Diabate, providing distinctive vocal contrast while Latz  explores the soprano end of her range. You Are, another unconventional composition,  dedicated to her husband, articulates her devotion through a sung love poem and Apfelbaum’s responsive, delicate and fluid tenor. And in the swinging  title  track, everyone has some fun  while  Latz’s “whimsical” lyric describes various animals getting together and hanging out under the Fig Tree. Her vocal improvisation is a menagerie of whistles, purrs, meows and growls, giving  an overall effect of ‘Johnny Morris meets Jazz’. Not a track for the purists, but possibly an amiable introduction to the genre for children…..
The 2 strands of this album - jazz standards, especially ballads, and original compositions / World Music - don't quite meld together. However they do  illustrate  the quality and distinctive nature of Deborah  Latz’s repertoire.
Deborah Latz - Fig Tree is available from May 7, 2013
Debra M.

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