Dave Moorwood (ldr/bjo/vcl); Andy Woon, Tony Davis (tpts); Gavin Lee (clt/sop); Bob Wilson (tmb); Perry Lock (pno); John Arthy (tuba); Andy Crisp (vcl); Judy Eames (vcl).
(Review by Lance.)
In the beginning there was King Oliver and his Creole Jazz Band in New Orleans, then, 20 or more years later, his music was revived in San Francisco by Lu Waters' Yerba Buena Jazz Band whose re-creation was itself revived by the Big Bear Stompers in the Midlands (UK). in 1989 - they have been stomping ever since or as one of the numbers went, Charlestoning Back to Charleston!
Tonight was rather special for the audience at the Customs House as, depping on clarinet and soprano was Gavin Lee who hails from but a few miles down the coast. This was his first time with the band and he soloed and read the parts (yes music stands to the fore) as if he'd been a founder member!
The two trumpets worked well together their contrasting styles complementing each other. Andy Woon the more flamboyant, Davis a little more restrained but effective in his own way. Bob Wilson slid nicely into the front line and leader Moorwood was full of jollity and banjo and vocal on the aforementioned Charleston number. This really was Goodtime Jazz,
The engine room chomped and stomped, Lock played idiomatic piano, Arthy the tuba, hidden behind the monster supplied the pulse and Crisp did the business, temple blocks and all.
Judy Eames on vocal gave us Squeeze Me, My Honey's Lovin' Arms, Gulf Coast Blues, Milenberg Joys, Trouble in Mind - a splendid version of Too Busy and You Ain't the One which featured the horns doing 8s, 4s, 2s, that worked well.
Instrumentals included Irish Black Bottom, C'mon and Stomp, Delta Moon,, Buddy's Habits, Midnight Stomp, Working Man Blues and a Moorwood original, Emperor Norton's Hunch.
It was a good session and if you missed it, catch them at Trinity Church and Centre, Gosforth High Street tonight (Saturday May 11)
Lance.
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