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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 15, 2013

CD Review: World Behind Your Eyes: Lynn Jolicoeur And The Pulse


Lynn Jolicouer (vocals); Mike Natsis (guitar); Steve Travis (piano); Warren Olsen (bass); Jean-Marie Corrois (drums); also Bill Vint (tenor sax on 2 tracks)
(Review by Ann Alex)
Boston based Jolicoeur, has traced an interesting career path,  worked as a TV journalist, done all kinds of singing, including pop, choral and jazz, as well as playing piano.  The Pulse, formed in 2008, have performed at many jazz and arts festivals.  This is their debut album.
The voice is rich and warm, the musicians are well competent, and the album comprises four numbers composed by Steve Travis, one by Jolicoeur and seven other arrangements of songs from a wide range of writers, including Sting, (Every Little Thing He Does Is Magic); Corinne Bailey Rae (Like A Star); Chick Corea (Open Your Eyes, You Can Fly); and Truman Capote (A Sleepin’ Bee).
I preferred the songs which were done as jazz arrangements.  For instance, the Chick Corea track has a skilful guitar solo, lively chops from the piano and jazzy swaps between piano and drums. In The Wee Small Hours Of The Morning is played as it should be, with sleepy sax and lazy-sounding piano, light drums, and the voice with just the right amount of poignancy.  Travis’s Out Of My Comfort Zone comes over quite boppish, with the voice repeating a rather angular riff, and adventurous instrumentation.  Some tracks were less suited to my taste but this is purely subjective.  On one or two of the more rock-orientated tracks I thought the lyrics and tune were a bit predictable, with not enough ‘hooks’ to make the words memorable, .  That said, the CD as a whole is enjoyable, with lots of short solos from the musicians, and effective call and response between singer and musicians.
World Behind Your Eyes: Lynn Jolicoeur And The Pulse is Self-Released in mid May.
Ann Alex

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance