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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Wednesday, May 29, 2013

CD Review: Arne Jansen – The Sleep of Reason, Ode to Goya

Arne Jansen (guitars, piano), Andreas Edelmann (bass), Eric Schaefer (drums), Friedrich Paravicini (keyboards, cello, vibraphone), Stephan Braun (cello), Nils Wülker (flugelhorn)
(Review by Les)
Born in Flensburg, educated in Berlin, German guitarist Arne Jansen releases his third album, the majority of the content of which is an attempt to convey his personal feelings and emotional experiences as a result of viewing the Goya paintings in Madrid’s Prado Gallery.  Nine of the pieces are composed by Jansen, with two covers (U2’s Love is Blindness and Dire Straits’ Brothers in Arms) thrown in for good measure.
On first listen, Jansen comes across as a competent player, and broadly speaking the pieces fall into three broad styles of playing – finger-style jazz, jazz-rock and delicate, improvised soundscape washes upon which the notes are “hung”.  However, after a few listens therein (for me at least) lies the problem.  Jansen’s enthusiasm for the guitar has a tendency to reveal too much about his influences rather than defining his own sound and style.  The finger-style pieces, for example, are reminiscent of Pat Metheny (with whom he attended workshops at college); the jazz-rock pieces are just a little “two-dimensional“, and best left to the likes of Al Di Meola and Jeff Beck.  Still, the playing is very listenable/enjoyable, and there are times when you feel Jansen’s character and personality are able to break through, especially on the “improvised soundscape” tunes.  Those moments are much more interesting, and to my ears Jansen needs to be a little more confident in his own ability and go for the real “him”.  The glimpses we get of this on this album are certainly among its highlights.
I’m not sure why Jansen felt the need to include the covers on the album.  They’re not necessary, and are possibly more appropriate being played by the busking musician in the corner of a restaurant than on the third release of a serious, up and coming artist.  The originals are certainly better.
Despite my criticisms there’s a lot to enjoy on this album, and I for one look forward to future releases by Arne Jansen in the hope of hearing (more than glimpses of) “the real Him”.  Overall, a commendable effort though.
The Sleep of Reason is released  June 3 (ACT Music)
Les.

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