Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,030 (and counting) posts since we started blogging 18 years ago. 894 of them this year alone and, so far this month (Oct. 22) 73.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sun 25: Paul Edis workshop: Another Week, Another Composition - How I Compose @ Mark Hillery Arts Centre, Collingwood College, Durham. 10:30am. £16.00. Durham Jazz Festival. CANCELLED!
Sun 25: Jo Harrop workshop: From Chester-le-Street to LA: A Singer’s Journey @ Claypath Deli, Durham. 11:00am. £8.50. Durham Jazz Festival. CANCELLED!
Sun 25: Janette Mason workshop: The Art of Arranging @ Mark Hillery Arts Centre, Collingwood College, Durham. 12:30pm. £16.00. Durham Jazz Festival.
Sun 25: Dean Stockdale Quartet: Celebrating Oscar Peterson @ Durham University Music School. 1:00pm. Line-up: Dean Stockdale (piano); Jamie Taylor (guitar); Gavin Barras (double bass); Gaz Hughes (drums). Durham Jazz Festival. SOLD OUT!
Sun 25: Tom Atkinson’s Electric Miles: Celebrating Jack Johnson @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 2:00-3:15pm. Durham Jazz Festival.
Sun 25: SULA @ St Chad’s College, Durham. 2:30pm. Kezia Abouma (piano), Aleks Dimitrova (bass), Miranda Radford (drums). Durham Jazz Festival. NOTE NEW TIME (2.30pm).CANCELLED!
Sun 25: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 25: Swing into Sunday @ St Oswald’s Institute, Durham. 2:30pm. Lindy Jazz. Durham Jazz Festival.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ Queen’s Hall, Hexham. 3:00pm. Sara Oschlag (vocals); Richard Wetherall (keyboards); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 25: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. Ruth Lambert (vocals); Alan Law (keyboards); Paul Grainger (double bass). RESCHEDULED to NOV. 1
Sun 25: Marvin Muoneké Quartet @ St Chad’s College, Durham. 4:00pm. Line-up: Dean Stockdale (piano); TBC (double bass); Abbie Finn (drums). Durham Jazz Festival. SOLD OUT!
Sun 25: Janette Mason Rewired @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 4:30pm. Line-up: Janette Mason (piano); Jakub Cywiński (double bass); Eric Ford (drums). Durham Jazz Festival.
Sun 25: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Launderette, Durham. 5:00pm. Durham Jazz Festival. SOLD OUT!
Sun 25: Zoë Gilby & Andy Champion @ Redhills Durham Miners’ Hall, Durham. 6:00pm. Durham Jazz Festival.
Sun 25: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ The Globe, Newcastle. 8:00pm. Sara Oschlag (vocals); Richard Wetherall (piano); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: Durham University Jazz Society - Jazz Jam @ Fabio’s Bar, Durham. 8:00pm. Durham Jazz Festival.
Sun 25: Olivia Cuttill Quintet + King Pleasure & the Biscuit Boys @ Redhills Durham Miners’ Hall, Durham. 8:00pm. Durham Jazz Festival.

Mon 26: Sue Ferris Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 26: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Ruth Lambert.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).

Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio : The Globe, Newcastle. 8:00pm.

Wednesday, November 21, 2012

Jack DeJohnette Group/Polar Bear @ The Sage, Gateshead.

Jack DeJohnette (dms); Don Byron (ten./sop.clt); George Colligan (keys/tpt); Marvin Sewell (gtr); Michael Mondesir (bs).
(Review by Lance)
DeJohnette took his seat (throne?) behind the kit and made various adjustments as the audience sat in hushed silence awaiting to hear the great man speak. This he eventually did, introducing the members of the band by name before setting the ball rolling with a drum introduction to his own composition - Blue. In fact all five extended pieces were DeJohnette originals.
Colligan was the first up to the plate blowing a pocket trumpet from which he produced a big fat sound. I'd liked to have heard more trumpet from him but, for the rest of the 90 minute set he concentrated on the assortment of keyboards he was surrounded by - occasionally playing different keyboards simultaneously as well as the concert grand. 
Byron impressed on tenor but I was somewhat surprised that the regular Down Beat poll winner on clarinet seemed to be playing exclusively in the higher register - or was it a soprano clarinet? From where I was sitting way back it did appear to be shorter than the standard Bb instrument.
Marvin Sewell played some powerful solos and former Jazz Warrior Mondesir was equally impressive.
Unusually for a drummer/leader we weren't overpowered by a barrage of drum solos. Where DeJohnette really came into his own was in his ability to vary the pace and the mood to suit the soloist. 
It was a good gig that, if it didn't set The Sage on fire, certainly kept it warm and was surely deserved of a larger audience.
Programme: Blue; One For Eric; Tango African; Lydia (dedicated to his wife); Ahmad the Terrible.
Earlier, British experimental band Polar Bear - Seb Rochford (dms); Mark Lockheart, Pete Wareham (ten); Tom Herbert (bs); Leafcutter John (electronics) - played an opening set that was well received by most of the audience.
Lance.

2 comments :

John Moles said...

I have to say that at least on the night I thought 'Polar Bear' was the better band: more 'composed through' (or at least 'arranged through' compositions), more variety in all departments, better bass (moving to see the old upright form playing such a varied and pivotal role), better group interaction, and better solo-ing (maybe also better drumming). De Johnette's group was 'jazzier' (not that 'Polar Bear', despite funkiness, wasn't squarely within the tradition) but lacked solist distinction (essential in such contexts). The keyboards were OK (certainly not helped by back facing the audience on the grand), the guitarists competent but undistinguished, Byron surely a major disappointment. Though the clarinet imported interesting and distinctive sonorities, the soloing itself wasn't great and the man himself seemed an ironic and detached figure. We had to leave at 10 (train to catch) and perhaps it got better, but the 'London Jazz Review' was surely way over the top.

Peter Bevan said...

Thought you'd like to see the flyer for the concert.

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