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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 02, 2012

Paul Edis Sextet @ Blaydon Jazz Club. November 1

Paul Edis (piano), Graeme Wilson (tenor saxophone), Graham Hardy (trumpet & flugelhorn), Chris Hibbard (trombone), Mick Shoulder (double bass) & Adam Sinclair (drums)
(Review by Russell).
If you run a jazz club this is the band to book. The Paul Edis Sextet is shot through with first rate musicians, composers and arrangers. The band’s CD There Will be Time formed the basis of two excellent sets at Blaydon Jazz Club. My Heart Belongs to Daddy and Autumn in New York (early winter in Blaydon!), the former arranged by bassist Mick Shoulder, the latter by Graeme Wilson (tenor), featured a plethora of solos - Shoulder, pianist and bandleader Edis, Wilson and Graham Hardy (flugelhorn) - which set the tone and the standard. And what a standard!
The casual visitor, perhaps a Blue Note or Concord label A & R big shot, couldn't fail to be impressed. Administrate This (comp.Edis) and Donald Brown’s Being with You put Edis in the spotlight with some effective stride piano on the latter number. Graeme Wilson’s tenor caught the ear on Out of Nowhere and the first set closer - Blues for Dad – introduced drummer Adam Sinclair. 
Interval chatter about Paul Edis’ gig earlier in the week with Lewis Watson and Rob Walker at the Cluny reached a unanimous verdict…superb. The Blaydon session was shaping-up nicely. A Surrey with a Fringe on Top and Softly as in a Morning Sunrise (arr. Shoulder) eased the club regulars (a good number of them) into the second set. Trombonist Chris Hibbard’s feature - Black Orpheus - never fails to elicit applause and it deservedly did so at Blaydon. The Radio 3 hit - alright, the Jazz Record Requests tune - Ravelations worked well with more good tenor and piano. The flugelhorn of Graham Hardy won plaudits on Body and Soul and Graeme Wilson’s caffeinated Up Late kept your reviewer up late reliving yet another excellent gig by the Paul Edis Sextet. 
Blaydon Jazz Club’s Christmas party night - Thursday December 6 -  features genial reedsman Frank Brooker with the James Birkett Quartet. The evening starts a little earlier than usual at 8:15 pm to accommodate a sumptuous buffet. Feel free to bring a culinary contribution.
Russell            

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance