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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Wednesday, November 21, 2012

Jack DeJohnette Group/Polar Bear @ The Sage, Gateshead.

Jack DeJohnette (dms); Don Byron (ten./sop.clt); George Colligan (keys/tpt); Marvin Sewell (gtr); Michael Mondesir (bs).
(Review by Lance)
DeJohnette took his seat (throne?) behind the kit and made various adjustments as the audience sat in hushed silence awaiting to hear the great man speak. This he eventually did, introducing the members of the band by name before setting the ball rolling with a drum introduction to his own composition - Blue. In fact all five extended pieces were DeJohnette originals.
Colligan was the first up to the plate blowing a pocket trumpet from which he produced a big fat sound. I'd liked to have heard more trumpet from him but, for the rest of the 90 minute set he concentrated on the assortment of keyboards he was surrounded by - occasionally playing different keyboards simultaneously as well as the concert grand. 
Byron impressed on tenor but I was somewhat surprised that the regular Down Beat poll winner on clarinet seemed to be playing exclusively in the higher register - or was it a soprano clarinet? From where I was sitting way back it did appear to be shorter than the standard Bb instrument.
Marvin Sewell played some powerful solos and former Jazz Warrior Mondesir was equally impressive.
Unusually for a drummer/leader we weren't overpowered by a barrage of drum solos. Where DeJohnette really came into his own was in his ability to vary the pace and the mood to suit the soloist. 
It was a good gig that, if it didn't set The Sage on fire, certainly kept it warm and was surely deserved of a larger audience.
Programme: Blue; One For Eric; Tango African; Lydia (dedicated to his wife); Ahmad the Terrible.
Earlier, British experimental band Polar Bear - Seb Rochford (dms); Mark Lockheart, Pete Wareham (ten); Tom Herbert (bs); Leafcutter John (electronics) - played an opening set that was well received by most of the audience.
Lance.

1 comment :

John Moles said...

I have to say that at least on the night I thought 'Polar Bear' was the better band: more 'composed through' (or at least 'arranged through' compositions), more variety in all departments, better bass (moving to see the old upright form playing such a varied and pivotal role), better group interaction, and better solo-ing (maybe also better drumming). De Johnette's group was 'jazzier' (not that 'Polar Bear', despite funkiness, wasn't squarely within the tradition) but lacked solist distinction (essential in such contexts). The keyboards were OK (certainly not helped by back facing the audience on the grand), the guitarists competent but undistinguished, Byron surely a major disappointment. Though the clarinet imported interesting and distinctive sonorities, the soloing itself wasn't great and the man himself seemed an ironic and detached figure. We had to leave at 10 (train to catch) and perhaps it got better, but the 'London Jazz Review' was surely way over the top.

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