Swing City Quartet @ The Customs House, South Shields

Steve Andrews (ten/clt/whistle); Paul Edis (pno/fl); Roly Veitch (gtr/vcl); Roy Cansdale (bs).
(Review by Lance.)

In the big picture, I suppose I could be excused for referring to this as a low-profile gig although the 60.or so paying customers, myself included might disagree.

I'm not going to go out on a limb and vote it as my gig of the year but, tell you what, it's up there in a photo finish!

I can't begin to tell you - those of you who chickened out of visiting South Shields on a rainy Friday evening -  just what a delightful session this was.

I knew they were playing for keeps when they tuned up before going into Between The Devil And The Deep Blue Sea.

Steve has acquired a new Conn tenor - 1928 I think he said which is new for him. It had a nice sound but, by the end of the tune he was back on the old faithful pre Adolphe Sax model. He sounded good on both instruments - Steve would sound good on a penny whistle. what am I saying? later on he did just that!

I Wished on the Moon - is there a better tune? and Roly sang it beautifully in that light jazz tenor voice that is so compelling. Compelling because Roly's vocals always convey the impression that he is going to miss the note and you hold your breath.

He never does.

Apart from the vocal and Steve's switch to clarinet the number brought Paul Edis into the forefront. Paul's fill ins behind the vocal were absolutely spot on and his solo reminded me, not of Bill Evans, but John Lewis with MJQ. Just some little chromatic phrases that stuck. And I speak with authority as I've just received 5 MJQ CDs to review! Which reminds me - anyone want to review Mile's last 5 discs?

Back to tonight.

Steve cut loose on clarinet on Struttin' With Some Barbecue moving over to tenor after Paul's solo. When the Mafia hear that Paul Edis has been playing Struttin' With Some Barbecue he'll probably be excommunicated. Moonlight in Vermont was as beautiful as that tune always is before Paul had a solo feature on Tatum's version of Tea for Two - awesome! The set finished off with Nuages and Tangerine.

Let me also mention Steve's patter - tonight it was really good and, if he ever hangs up his saxophones, a career in stand-up awaits - if vaudeville was still around he wouldn't be bottom of the bill.

The tin whistle emerged for a spirited version of All God's Chillun Got Rhythm (if only!).

The show rolled on and I didn't see anyone leave - how could they?

Roly sang The Touch of Your Lips (Paul on flute) and Fine and Dandy was just that!

Paul played Bix's In A Mist. He played it beautifully but, for me, it needed to be quieter, more subtle. This may have been the sound engineer cranking up the volume but I felt it lost the tenderness of the original or, say, Marian McPartland's interpretation. After all it is In a Mist, not Hurricane Sandy. 

Still, a minor quibble - Paul was brilliant throughout not least in Lester Leaps In when he threw in 8 bars of stride on the release - magic.
Steve superb Hawkins/Webster tenor, Goodmaneseque clarinet.
Roly a tower of strength on rhythm guitar and occasional inspired solos and vocals.

I haven't mentioned him until now but Roy Cansdale was on the money. Soloing only sporadicallyally he, nevertheless, ensured the rhythmic pulse was there and, who cares if there wasn't a drummer - nasty smelly things!

Take a bow guys.

My God I've never wrote a review of this length - it must have been good!
Photos.

Lance.