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Bebop Spoken There

Ethan Iverson: "Oscar Peterson famously said that Bud [Powell] played just too many wrong notes. He was really critical of Bud as a player, which I think is not right." - (DownBeat March 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

Postage

12,557 (and counting) posts since we started blogging 12 years ago. 276 of them this year alone and, so far, 127 this month (Feb. 28).

Wednesday March 3

HAPPY BIRTHDAY MILES WATSON

Wednesday, November 07, 2012

CD Review: Ran Blake/Sara Serpa - Aurora

Ran Blake (piano); Sara Serpa (voice)
(Review by Ann Alex)
This CD is a very unusual take on some lesser-played jazz standards, with some original material.  It was described to me as a CD of ‘Jazz Lieder’, which is quite a good explanation of what to expect.  It reminded me of Stephen Sondheim, free jazz, Portuguese fado, cabaret, all rolled into a package with some humour added.
Sara Serpa has a pleasing sweet and soulful voice and Ran Blake is highly skilled and experienced.  His career spans six decades and he is involved in improvised music and education.  Serpa is a relative newcomer and this is their second album together.  I liked some of the tracks, found some a bit far out for my taste, but it seemed that these two are genuinely trying something new.  I’d recommend this to lovers of free jazz.
The most entertaining track is Moonride, an amusing narrative about a meeting with a moonman and the most obscure number is probably Mahler Noir, written by Blake himself, a melancholy semi-classical instrumental with references to American show tunes.  In fact the album has a melancholy feel which is intriguing, with tracks following each other without much of a break between.  Saturday is bleak and meaningful; Dr Mabuse is sung with vocalise alternating with piano; Strange Fruit is sung unaccompanied with sensitivity, but becomes a little too operatic towards the end. 
The Band Played On is done lightly with humour; Fine And Dandy is dissonant, and the pace varies.
This CD probably deserves to be played more than once if the listener isn’t sure about it the first time.
Issued on Clean Feed CF 264
Ann Alex   

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