Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, November 07, 2012

CD Review: Ran Blake/Sara Serpa - Aurora

Ran Blake (piano); Sara Serpa (voice)
(Review by Ann Alex)
This CD is a very unusual take on some lesser-played jazz standards, with some original material.  It was described to me as a CD of ‘Jazz Lieder’, which is quite a good explanation of what to expect.  It reminded me of Stephen Sondheim, free jazz, Portuguese fado, cabaret, all rolled into a package with some humour added.
Sara Serpa has a pleasing sweet and soulful voice and Ran Blake is highly skilled and experienced.  His career spans six decades and he is involved in improvised music and education.  Serpa is a relative newcomer and this is their second album together.  I liked some of the tracks, found some a bit far out for my taste, but it seemed that these two are genuinely trying something new.  I’d recommend this to lovers of free jazz.
The most entertaining track is Moonride, an amusing narrative about a meeting with a moonman and the most obscure number is probably Mahler Noir, written by Blake himself, a melancholy semi-classical instrumental with references to American show tunes.  In fact the album has a melancholy feel which is intriguing, with tracks following each other without much of a break between.  Saturday is bleak and meaningful; Dr Mabuse is sung with vocalise alternating with piano; Strange Fruit is sung unaccompanied with sensitivity, but becomes a little too operatic towards the end. 
The Band Played On is done lightly with humour; Fine And Dandy is dissonant, and the pace varies.
This CD probably deserves to be played more than once if the listener isn’t sure about it the first time.
Issued on Clean Feed CF 264
Ann Alex   

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