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Bebop Spoken There

Tony Fisher: In the heyday of that scene [the1960s] there were about 120 musicians in London who did everything and of course, if you made a mistake you were never called again." - (Jazz Journal online, 19 September 2019).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, November 05, 2012

CD Review: Landing Ground Laura Jurd

The jazz quartetLaura Jurd (trumpet), Elliot Galvin (piano), Conor Chaplin (double bass) and Corrie Dick (percussion)
The string quartet (the Ligeti Quartet): Mandhira de Saram (violin), Patrick Dawkins (violin), Richard Jones (viola) and Ben Davis (cello)
(Review by Russell)

Laura Jurd’s debut CD Landing Ground places the trumpeter in the front rank of young composers emerging from prestigious music schools across the country.

Still in her early twenties, Jurd studied composition with Issie Barratt and is a multiple prize winner (including the Dankworth Jazz Composition Award 2011). The album comprises nine tracks linked thematically to produce a work of remarkable maturity from one so young. Six of the tracks highlight Jurd’s writing for the ensemble - Landing Ground fuses jazz quartet and string quartet – and three short improvised pieces pitches the composer’s  trumpet in duet setting with Ben Davis’ cello, then pianist Elliot Galvin and finally drummer Corrie Dick. Jurd writes about ‘departure’, ‘reminiscence’ and ‘of a return home’. There is a wistful, filmic quality to the album with more than a suggestion of late 50s Miles Davis in Jurd’s playing and her writing embraces European twentieth century classical music.
Landing Ground is available now on Chaos Collective (CC001) and officially released today (November 5).
Russell         

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