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Bebop Spoken There

Jeff Lindberg: "You can have innovative new music and you can play music of the masters. They're not going to cancel each other out" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Saturday May 25

Afternoon

Jazz

Classic Swing - St. Cuthbert's Church Hall, Dovecote St., Amble NE65 0DX. 12:00pm - 3:00pm (music from 1:00pm). £10.00. See poster for more details.

Sax on the Tyne, St George's Church Hall, St George's Close, Jesmond, Newcastle NE2 2TF. 5:00-7:00pm. Free (donations). A Jesmond Community Festival event.

Evening

Baghdaddies - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. £10.00. Whitley Bay Carnival.

Lady & the Jazz Tramps - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Radio Pensacola Band - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations).

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 15, 2018

CD Review: Rick Simpson - Klammer.

(Review by Mark Robertson).
Even a casual look at Klammer by keyboard player Rick Simpson makes clear that this will not be the usual collection of Usain Bolt paced practice routines applied to “The Great American Songbook”. With titles like Beware of Gabriel Garrick imitators and Unsubstainabubble it’s clear we’re venturing into an area of quintessentially English jazz inhabited by the likes of Ballamy, Bates, and Jenkins. 

With Simpson playing a variety of keyboards, it’s obvious that he has outgrown his narrower early influences. Like Django Bates, credited in the sleeve notes, Simpson’s undoubted musicianship takes second place to the ideas he wishes to convey. Never more so than on the mercurial How Deep is Your Disrespect?  
He is ably supported by a first-rate, young cast who have fire aplenty at their fingertips but enough maturity not to “chain smoke”. There is still, even in this modern release, room for a nod to Monk on Greasy Child! Ugly Man! 
The wonderful Surreal Estate shows that the lasting effect of emigres from Apartheid-era South Africa still lingers in London’s jazz scene and the slow burn of Sea Change manages to combine depth and beauty in equal measure. Set aside a little “Klammer time”, it will pay dividends and keep an eye on Rick Simpson’s future explorations, they will be anything but ordinary.
Mark R.
Available from Two Rivers Records. 
Rick Simpson (piano/Fender Rhodes/Wurlitzer/ms-10/glockenspiel/harmonium); Michael Chillingworth (alto/tenor/clarinet/bass clarinet); George Crowley (tenor); Ralph Wyld (vibes); Tom Farmer (bass); David Hamblett (drums).

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