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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

Archive

Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 15, 2018

CD Review: Rick Simpson - Klammer.

(Review by Mark Robertson).
Even a casual look at Klammer by keyboard player Rick Simpson makes clear that this will not be the usual collection of Usain Bolt paced practice routines applied to “The Great American Songbook”. With titles like Beware of Gabriel Garrick imitators and Unsubstainabubble it’s clear we’re venturing into an area of quintessentially English jazz inhabited by the likes of Ballamy, Bates, and Jenkins. 

With Simpson playing a variety of keyboards, it’s obvious that he has outgrown his narrower early influences. Like Django Bates, credited in the sleeve notes, Simpson’s undoubted musicianship takes second place to the ideas he wishes to convey. Never more so than on the mercurial How Deep is Your Disrespect?  
He is ably supported by a first-rate, young cast who have fire aplenty at their fingertips but enough maturity not to “chain smoke”. There is still, even in this modern release, room for a nod to Monk on Greasy Child! Ugly Man! 
The wonderful Surreal Estate shows that the lasting effect of emigres from Apartheid-era South Africa still lingers in London’s jazz scene and the slow burn of Sea Change manages to combine depth and beauty in equal measure. Set aside a little “Klammer time”, it will pay dividends and keep an eye on Rick Simpson’s future explorations, they will be anything but ordinary.
Mark R.
Available from Two Rivers Records. 
Rick Simpson (piano/Fender Rhodes/Wurlitzer/ms-10/glockenspiel/harmonium); Michael Chillingworth (alto/tenor/clarinet/bass clarinet); George Crowley (tenor); Ralph Wyld (vibes); Tom Farmer (bass); David Hamblett (drums).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance