October.
Sat 24: Jo Harrop @ St Chad’s College, Durham. 2:00pm. Harrop w. Jamie McCredie, Paul Edis, Andy Champion & Peter Adam Hill. Durham Jazz Festival. SOLD OUT!
Sat 24: Sing Jazz! workshop @ The Globe, Newcastle. 2:00pm. £27.50. Tutor: Alexia Gardner. Louis Armstrong. Enrol at: learning@jazz.coop.
Sat 24: Seb Rochford’s Finding Ways @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 3:00pm. Tara Cunningham (guitar); Simon Tong (guitar); Anders Christensen (bass); Seb Rochford (drums). Durham Jazz Festival.
Sat 24: Vasilis Xenopoulos-Paul Edis Quartet @ St Chad’s College, Durham. 4:00pm. VX & PE w. Andy Champion (double bass) & Steve Hanley (drums). Durham Jazz Festival. SOLD OUT!
Sat 24: OUTRI @ Durham Fringe Academy, Durham. 4:00pm. Durham Jazz Festival.
Sat 24: Pete Roth Trio @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 5:30pm. Durham Jazz Festival.
Sat 24: Durham University Jazz Society: An Evening of Standards @ Durham University Music School, Durham. 5:30pm. Durham Jazz Festival.
Sat 24: Rivkala @ Fabio’s Bar, Durham. 6:00pm. Durham Jazz Festival. SOLD OUT!
Sat 24:Eleonora Kouneni @ Claypath Deli, Durham. 7:00pm. Kouneni (vocals), Paul Edis (piano). Durham Jazz Festival. SOLD OUT!
Sat 24: Marvin Muoneké w. Strictly Smokin’ Big Band @ Gala Theatre, Durham. 7:30pm. Durham Jazz Festival.
Sat 24: Knats @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival. SOLD OUT!
Sat 24: Kind of Blu Jazz Jam @ Radisson Blue Hotel, Durham. 10:30pm. House rhythm section: Paul Edis, Ken Marley & Steve Hanley. Durham Jazz Festival.
Sun 25: Paul Edis workshop: Another Week, Another Composition - How I Compose @ Mark Hillery Arts Centre, Collingwood College, Durham. 10:30am. £16.00. Durham Jazz Festival. CANCELLED!
Sun 25: Jo Harrop workshop: From Chester-le-Street to LA: A Singer’s Journey @ Claypath Deli, Durham. 11:00am. £8.50. Durham Jazz Festival. CANCELLED!
Sun 25: Janette Mason workshop: The Art of Arranging @ Mark Hillery Arts Centre, Collingwood College, Durham. 12:30pm. £16.00. Durham Jazz Festival.
Sun 25: Dean Stockdale Quartet: Celebrating Oscar Peterson @ Durham University Music School. 1:00pm. Line-up: Dean Stockdale (piano); Jamie Taylor (guitar); Gavin Barras (double bass); Gaz Hughes (drums). Durham Jazz Festival. SOLD OUT!
Sun 25: Tom Atkinson’s Electric Miles: Celebrating Jack Johnson @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 2:00-3:15pm. Durham Jazz Festival.
Sun 25: SULA @ St Chad’s College, Durham. 2:30pm. Kezia Abouma (piano), Aleks Dimitrova (bass), Miranda Radford (drums). Durham Jazz Festival. NOTE NEW TIME (2.30pm).
Sun 25: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 25: Swing into Sunday @ St Oswald’s Institute, Durham. 2:30pm. Lindy Jazz. Durham Jazz Festival.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ Queen’s Hall, Hexham. 3:00pm. Sara Oschlag (vocals); Richard Wetherall (keyboards); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 25: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. Ruth Lambert (vocals); Alan Law (keyboards); Paul Grainger (double bass). RESCHEDULED to NOV. 1
Sun 25: Marvin Muoneké Quartet @ St Chad’s College, Durham. 4:00pm. Line-up: Dean Stockdale (piano); TBC (double bass); Abbie Finn (drums). Durham Jazz Festival.
Sun 25: Janette Mason Rewired @ Sir Thomas Allen Assembly Rooms Theatre, Durham. 4:30pm. Line-up: Janette Mason (piano); Jakub Cywiński (double bass); Eric Ford (drums). Durham Jazz Festival.
Sun 25: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Launderette, Durham. 5:00pm. Durham Jazz Festival. SOLD OUT!
Sun 25: Zoë Gilby & Andy Champion @ Redhills Durham Miners’ Hall, Durham. 6:00pm. Durham Jazz Festival.
Sun 25: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.
Sun 25: Sara Oschlag w. Arnie Somogyi Trio @ The Globe, Newcastle. 8:00pm. Sara Oschlag (vocals); Richard Wetherall (piano); Arnie Somogyi (double bass); John Hirst (drums).
Sun 25: Durham University Jazz Society - Jazz Jam @ Fabio’s Bar, Durham. 8:00pm. Durham Jazz Festival.
Sun 25: Olivia Cuttill Quintet + King Pleasure & the Biscuit Boys @ Redhills Durham Miners’ Hall, Durham. 8:00pm. Durham Jazz Festival.
Mon 26: Sue Ferris Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 26: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Ruth Lambert.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).
Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
5 comments :
I see where you are coming from, Peter, in truth I'm, more or less, on the same side of the street myself.
In the July issue of DownBeat a reader refers to the scene in Dowwnton Abbey where the Dowager Countess (Maggie Smith) upon hearing some jazz of the day makes this wry quip: "Are they all playing the same tune?"
The writer relates this to some contemporary jazz saying it's more a case of "Are they playing any tune at all?"
Still, as opinions soften over the years and both trad and bebop have been assimilated into the jazz mainstream (along with rock and punk and rap and hip-hop as some 'jazz festivals' would have us believe), who's not to say that the music you disliked on Sunday will not also become part of the mainstream?
It's often said that jazz should be challenging but no one as said as to why it should be.
Same street for me Lance!
Ron
I can appreciate that if you go to a Jazz performance and expect something more mainstream than improv then it's likely to be a shock. Some take to it quickly, through its often direct visceral nature, otherwise over time you can at least grow into understanding what's going on. For me, the improv we've seen at the Bridge in many recent months has been of extremely high quality - the musicianship on display individually and collectively is often outstanding.
Sunday's performance was a fine demonstration of where improv is currently at, in fact bridging the gap between a very much developed (and better supported) scene on Europe's mainland and here in the UK, which thankfully has its fair share of leading exponents who also perform worldwide, and at the Bridge!
For those who can't get something out of it but are intrigued by it, it can help to try to see it as a musical conversation and you'll soon see how the individuals and the ensemble work together, reacting to each other and effectively composing in real-time. They are more sonically focused than just following a set rhythm or a standard tune.
Those who leave a little early often have a bus to catch. But the time when Duke Ellington brought his 'Far East Suite' to the City Hall in the mid 60's left some stunned after leaving at the end of the first set only to discover the very positive reviews which followed for the entire performance. Yes, it broke new ground for Duke's band, or rather, took his audience to new rhythmic and aural destinations. It's not that improv gives Jazz a bad name - it demonstrates there are areas of music that can still be explored and developed.
Ken Drew
I went on my own to the Bridge Hotel on Sunday night.
I thought the music was fantastic and left after the second set. I had realised that it was billed as improvised music as it was advertised as such. I love songs that have loads of improvisation and some of the stuff I hear has melody, rhythm, harmony, and, in my opinion, great instrumental skills on display. There is a view that the interest in jazz generally is increasing and I feel that this sort of stuff is giving jazz a great reputation and doing it many favours
I stayed till the very end of the second set
I thought it was great. Absolutely brilliant music.
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