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Bebop Spoken There

Bootsy Collins: "I had no training at all, man. Whatever I heard in my head, that's what came out." - (DownBeat September 2018).

Madeleine Peyroux: "What I'm searching for in singing is the form of communication that doesn't come through language". - (DownBeat September 2018).

Today Monday August 20

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

Monday, June 11, 2018

DJazz reflections...

(...by Steve H)
Just a brief note on the bands from the Djazz festival that I saw but haven’t had a previous mention on BSH.
On Friday night, the Empty Shop hosted 2 bands from out of town.
First up was Manchester’s Early Nite. I had enjoyed seeing them about a year ago at The Bridge and once again they produced a very enjoyable set. The band play short sharp improvised pieces with a high degree of energy. They also like to add a touch of humour to their performances which is fine in small doses but, on this occasion, they possibly overdid the jokes to the detriment of an otherwise very fine performance.
Belfast outfit Robocobra Quartet concluded the proceedings for day one of the festival.  

Billed as ‘minininfluence from jazz, hardcore and contemporary classical music’ they seemed as close to jazz as Kylie is to grand opera.  However, ‘Howling’ drummer Chris Ryan gives a sterling performance. I have nothing against heavy metal covers   I’ve heard some great jazz versions of Nirvana songs by more than one jazz performer but this band’s cover of a  Guns and Roses song did nothing for me and kind of summed up the whole performance for lively, energetic, raucous but just not jazz.
On Saturday evening I went to the charming Barber of Neville improvised venue to see JFrisco . Billed as a trio they were, in fact, a duo on the night as keyboard player Jemma Freese was performing in Holland. Nevertheless, Megan Roe on guitar/vocals and Lara Jones on sax/electronics seemed to cover for the missing third seamlessly. Incorporating all sorts of additional special effects - mobile phones, bubble wrap, Tibetan sound bowls etc. they produced a mesmerising soundscape which captivated the audience. It may not be jazz as some know it but as a piece of improvised music it was second to none.
Sunday afternoon saw me back at the Empty Shop for Shatner’s Bassoon. I had seen this band a couple of weeks back at the Jazz Cafe where they had the floor shaking so knew I what to expect and I certainly wasn’t disappointed as their unique brand of heavy metal punk jazz got the day off to an exhilarating start.  There could be no better way to finish the festival than a visit to the Jam Jah to see my current favourite band Skeltr. They didn’t disappoint and their wonderful swirly electronic musical magic carpet ride musical was actually enhanced by it being in a standing venue.
 So a wonderful end to a fantastic festival I really enjoyed being able to dip in and out of the tremendous variety of gigs that were on offer as opposed to having to decide well in advance of the event what you wanted to see and all for a tenner- amazing.

Steve H.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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