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Bebop Spoken There

Abbie Finn: "Even though there's a lot of great work being done to promote women in jazz, I still come up against some attitudes! I pulled up at a recording session with my drums in the car and the studio owner said, 'I'm sorry, this space is reserved for the drummer!'" - (Jazzwise April 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15245 (and counting) posts since we started blogging 15 years ago. 264 of them this year alone and, so far, 77 this month (March 25).

From This Moment On ...

March

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: 4B @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £2.00. All welcome.
Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. Back to 1:00pm stomp off. Free.
Thu 30: Castillo Nuevo @ Revolución de Cuba, Newcastle. 5:30-8:30pm.
Thu 30: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. Free.
Thu 30: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 31: Lewis Watson Quartet @ Bishop Auckland Town Hall. 1:00pm. SOLD OUT!
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 31: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm. CANCELLED! Back next week (April 7).
Fri 31: Castillo Nuevo @ Revolución de Cuba, Newcastle. 5:30-8:30pm.
Fri 31: Jasmine Myra + Waclaw Zimpel @ Cobalt Studios, Newcastle. 7:00pm.
Fri 31: The Revolutionaires @ The Shack, Boldon Colliery. 7:30pm. £10.00. The Revolutionaires' big band (horn section) line-up.
Fri 31: Andrew McCormack @ Maltings, Berwick. 8:00pm. £20.00.

April
Sat 01: The Big Easy @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning - In a Minor Key. £25.00. Enrol at: www.jazz.coop.
Sat 01: Abbie Finn Trio @ The Vault, Darlington Covered Market, Darlington DL1 5PN. 6:00pm. New venue, live jazz!
Sat 01: Boys of Brass @ Stack, Seaburn. 7:00-9:00pm.
Sat 01: Hot Club du Nord @ Pleased to Meet You, Bridge St., Morpeth. 8:00pm. £79.00. A charity fundraising event.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00. RESCHEDULED to next week (Sat 08).

Sun 02: Smokin' Spitfires @ The Cluny. 12:45pm.
Sun 02: 4B @ The Exchange, North Shields. 3:00pm.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 04: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 04: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Bradley Johnston (guitar); Paul Grainger (double bass); Abbie Finn (drums).

Monday, June 04, 2018

CD Review: Danny Green Trio Plus Strings - One Day It Will

Danny Green (pno), Justin Grinnell (bass), Julien Cantelm (drums), Kate Hatmaker (violin), Igor Pandurski (violin), Travis Maril (viola), Erica Erenyi (cello).
(Review by Dave Brownlow.)
San Diego based pianist/composer Danny Green, with his fifth album, leads his Trio and a String Quartet from the San Diego Symphony Orchestra through an attractive programme of original chamber jazz.
At times, the strings provide background figures and harmonies much as a conventional sax section might do in a jazz orchestra and, at others, interject their own strong segments further developing the compositions.
Green’s original inspiration came from the ground-breaking 1966 project/album “The Bill Evans Trio with Symphony Orchestra” but other more recent material, notably from Herbie Hancock, has also provided ideas. Green has a lovely ‘touch’ at the keyboard and all of the musicians are more than competent.
Time Lapse to Fall is a lively, cheerful piece built on a simple repeated phrase using a major to minor key which represents the seasonal movement from Summer to Fall with the vigour of a summer’s day leading to cascades of falling leaves.
As the Parrot Flies opens with pizzicato strings and a cleverly constructed ascending, chordal-based melody. The Trio then play collectively in an Evans/LaFaro/Motian style in a pleasing phase including glittering right-hand flourishes from Green leading to the concluding theme with strings fully integrated.
The title track, One Day It Will, is played in a gentle, ruminative style, drifting along in a pastoral way. View from the Sky flows elegantly – the chord sequence seems familiar – it’s probably drawn from classical sources.
Lemon Avenue, a waltz, includes ‘singing’ piano lines, delightful string writing, a lively bass solo and a generally wistful vibe.
November Reveries; a chord sequence with many twists and turns – effective in its own way - echoing some of the writing in Charlie Parker’s ‘Bird With Strings’ band.
Sifting Through the Silence is a thoughtful ballad, chordally strong that meanders along. Again the string playing, which is more than compatible, enhances the track.
In October Ballad, the minor-keyed theme and variations are a little ‘Chopinesque’ to this listener. A graceful tempo with subtle string contributions adding to this mood.
A Snowy Day In Boston seems like the second movement of a suite in the same minor key as the previous track, where flurries of snow dance in a graceful ‘gavotte’ as the band hurries through the song…
Finally the closer, Down and Out, is in a restrained, bluesy, boogaloo tempo. The piano solo winds its way through energetic string background figures leading to a vigorous bass solo and a final reprise of the theme.
Overall, a thoughtful CD, the result of much hard work from many, where “the intriguing possibilities of integrating classical harmony and form into the jazz context” have been successful.
Dave
Available now on OA2 Records – OA2 22154 from http/dannygreen.net

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