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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

January

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: TBA @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Monday, June 18, 2018

CD Review: Alchemy Sound Project - Adventures in Time and Space

Samantha Boshnack (trumpet/flugel); Erica Lindsay (tenor); Salim Washington (tenor/flute/bass clarinet); Michael Spearman (trombone), Sumi Tonooka (piano), David Arend (double bass), Johnathan Blake (drums/perc)
(Review by Dave Brownlow)
Adventures in Time and Space, the second album by the group Alchemy Sound Project, displays its further development since 2016. The five core members, all talented players and composers, have  contributed charts to the project which aims to combine “chamber jazz, symphonic music, modern jazz and big band.” Trombonist Michael Spearman and drummer Johnathan Blake complete the band for this release. There is much to like about this CD – imaginative themes, ‘far-out’ but logical contemporary solos, wide-ranging tonal palettes, a terrific rhythm section built on some ‘foundational’ bass playing from Arend (who plays bass like it should be played – not like a guitar !) and ‘chivvying’ drums from Blake.
Erica Lindsay’s opening contribution, Adventures in Time and Space, sounds how the “Birth of the Cool” band of Davis, Mulligan, Konitz, Gil Evans, Lewis et al might have sounded if it had been able to stay together!  After an “Impressionist” start, solos combine and intertwine seamlessly with written sections.
David Arend’s Ankh follows having a dreamy melody with subtle harmonic shifts leading to vigorous solos pushed on by ever-challenging drums.
Song of the Whistle Wing is trumpeter Boshnack’s written contribution, and inspired by her child-hood memories of growing up in rural New York has a more abstract feel. Again, written parts segue into solos at a lively tempo with surprising moments from tenorist Lindsay. A dramatic move into a second part has a trumpet solo in a Spanish vein leading to an abrupt ending; a very ‘musical’ track which holds one’s attention throughout.
Salim Washington’s Odysseus Leaves Circe comes from his admiration of artist Romare Bearden’s painting of the same name. Beginning with a stately ‘chorale’ also included is a Mingus/Dolphy-like conversation between the bass and the bass-clarinet. We’re left at the conclusion to wonder if Odysseus managed to free himself from Circe and her charms! 
Pianist Sumi Tonooka provides the next composition – Transition Waltz (for Matt) - which opens with a “Debussyian-style intro from the pianist/composer and a melody seemingly from the “Bill Evans Songbook”, a call and response duet between piano and flute and a final refrain. 
Lindsey’s second song Jeff’s Joy concludes the album. Composed in tribute to bandleader Jeff Siegal, it is somewhat ‘Coltrane-esque’ in its rhythmic urgency and an opening tenor solo from Erica fed by “Tyner-style” chords. Again, the bass/drums team works hard to maintain the churning pulse in the familiar ‘John C’ style of performance.
Overall, a praiseworthy effort in combining the individual voices of diverse composers with improvisation, thus crossing the borders between jazz, world music and modern chamber music.
Dave B.
Available now on ARC – 2857    from www.alchemysoundproject.com

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