Total Pageviews

Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 18, 2018

CD Review: Alchemy Sound Project - Adventures in Time and Space

Samantha Boshnack (trumpet/flugel); Erica Lindsay (tenor); Salim Washington (tenor/flute/bass clarinet); Michael Spearman (trombone), Sumi Tonooka (piano), David Arend (double bass), Johnathan Blake (drums/perc)
(Review by Dave Brownlow)
Adventures in Time and Space, the second album by the group Alchemy Sound Project, displays its further development since 2016. The five core members, all talented players and composers, have  contributed charts to the project which aims to combine “chamber jazz, symphonic music, modern jazz and big band.” Trombonist Michael Spearman and drummer Johnathan Blake complete the band for this release. There is much to like about this CD – imaginative themes, ‘far-out’ but logical contemporary solos, wide-ranging tonal palettes, a terrific rhythm section built on some ‘foundational’ bass playing from Arend (who plays bass like it should be played – not like a guitar !) and ‘chivvying’ drums from Blake.
Erica Lindsay’s opening contribution, Adventures in Time and Space, sounds how the “Birth of the Cool” band of Davis, Mulligan, Konitz, Gil Evans, Lewis et al might have sounded if it had been able to stay together!  After an “Impressionist” start, solos combine and intertwine seamlessly with written sections.
David Arend’s Ankh follows having a dreamy melody with subtle harmonic shifts leading to vigorous solos pushed on by ever-challenging drums.
Song of the Whistle Wing is trumpeter Boshnack’s written contribution, and inspired by her child-hood memories of growing up in rural New York has a more abstract feel. Again, written parts segue into solos at a lively tempo with surprising moments from tenorist Lindsay. A dramatic move into a second part has a trumpet solo in a Spanish vein leading to an abrupt ending; a very ‘musical’ track which holds one’s attention throughout.
Salim Washington’s Odysseus Leaves Circe comes from his admiration of artist Romare Bearden’s painting of the same name. Beginning with a stately ‘chorale’ also included is a Mingus/Dolphy-like conversation between the bass and the bass-clarinet. We’re left at the conclusion to wonder if Odysseus managed to free himself from Circe and her charms! 
Pianist Sumi Tonooka provides the next composition – Transition Waltz (for Matt) - which opens with a “Debussyian-style intro from the pianist/composer and a melody seemingly from the “Bill Evans Songbook”, a call and response duet between piano and flute and a final refrain. 
Lindsey’s second song Jeff’s Joy concludes the album. Composed in tribute to bandleader Jeff Siegal, it is somewhat ‘Coltrane-esque’ in its rhythmic urgency and an opening tenor solo from Erica fed by “Tyner-style” chords. Again, the bass/drums team works hard to maintain the churning pulse in the familiar ‘John C’ style of performance.
Overall, a praiseworthy effort in combining the individual voices of diverse composers with improvisation, thus crossing the borders between jazz, world music and modern chamber music.
Dave B.
Available now on ARC – 2857    from www.alchemysoundproject.com

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance