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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 29, 2018

CD Review: John Coltrane - Both Directions at Once. The Lost Album

John Coltrane (soprano/tenor); McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
(Reviewed by Lance).
Released today (June 29)*
There's been so much hype about this - even Sonny Rollins got in on the act saying "This is like finding a new room in the Great Pyramid" - I was almost afraid to play it, knowing that it couldn't be that wonderful and I felt I was setting myself up for the great letdown.
I was wrong!

A few words, possibly from the recording engineer Rudy Van Gelder, an unaccompanied phrase on soprano, and we're off to the races with all my worries left on the doorstep. Trane was on fire and only occasionally popped into the pet shop. 
"Titled" Untitled Original 11383 - Take 1 he swoops and soars, probes the outer limits. I've never been over keen on soprano saxes but I like what Trane's doing here. Tyner carries the torch, still burning brightly, hands it to Garrison who can bow his way around corners and does just that before switching to pizzicato.
Nature Boy, fairly straightforward by Coltrane's standards, has the great man on tenor, piano lays out whilst bass and drums put down some exotic, underlying rhythms giving Trane the framework to explore and develop the theme.
Another Untitled Original, this time it's 11386 - Take 1. Again on soprano and it's another hidden gem emerging 55 years on. Tyner superb and Elvin punctuating everything. Sometimes explosively, sometimes subtly but always appropriately.  Elvin and Garrison work so so well together - hear the interplay towards the track end.
Vilia. From Lehar's operetta The Merry Widow. What a strange choice although I've always maintained that if the player's good enough then so is the tune - Sonny Rollins once said something similar. It's a swinger, Trane's almost in Stan Getz mode and gives an indication for the inspiration behind the album's title - Both Directions at Once - for this is what we get. Coltrane remembering his roots and at the same time, looking to the future saying, this is where I've been, this is where I am  and this is where I'm going. This latter direction is demonstrated in this version of his oft-recorded Impressions. The sheets of sound may not have been fully unfolded but they are certainly out of the airing cupboard. 
Slow Blues does what it says on the tin and more. The opened tin has released the old 12 bar sequence into a brave, yet anguished, new world. The shackles are coming off, jump aboard the Freedom Train. Coltrane and Jones are driver and fireman, Tyner and Garrison First Class passengers.
One Up, One Down, a swinger to end all swingers. Anyone who hasn't listed this as the best previously unreleased album of the year could only be a banjo player.
The following day Coltrane was to go into the studio with singer Johnny Hartman where the singer and the Coltrane Quartet recorded possibly the greatest jazz vocal album ever whilst this album remained forgotten and gathering dust for 55 years!
Lance
*Available from June 29 on Impulse as:
a) Single CD.
b) Deluxe double CD with alternate takes.
c) 12" vinyl LP.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance