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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday October 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Dave O'Higgins Masterclass - Hurworth Grange, Hurworth Road, Hurworth, Darlington DL2 2BN. 12 noon - 2:00pm. £20.00. A Jazz Blowers' event, places limited. Details: www.jazzblowers.co.uk

Tees Valley Jazzmen - Central Methodist Church, 21 Cockton Hill Rd., Bishop Auckland DL14 6EN. 2:00pm. £4.00. A memorial concert in memory of Gavin Belton.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 5:45pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 12, 2018

The Julija Jacenaite Trio @ The Globe - June 10

Julija Jacenaite (vocals, shakers); Steve Glendinning (guitar); Paul Grainger (bass)
(Review by Ann Alex/photo from stock)
Once again, another great performance from this trio, to a small but appreciative audience in this Jazz Coop gig at the Globe. Many of the songs began with the whole song sung slowly, then a gradual build up of solos, scat and skilled interpretation. Wave began as a gentle sea, quiet voice and shakers, smooth scat, bass solo (early on), then with an extended ending, very rhythmical. Alice in Wonderland began with voice and guitar only. The A Train was running faster, with bass and guitar on the tracks together, then slower at the end, when it speaks of possibly missing the train or decreasing speed as it approaches the station.
There were some original songs from Julija’s recent CD: Moon Moods, Down By The River, and Lyja, which is about rain, ending with ‘I love you’ - sung in Lithuanian - and a song about a Facebook profile.

Love Me Or Leave Me had Julija doing skilled wordless vocalising, with some amusing very low notes, and the guitar cheekily imitating some of the sounds. Misty, with a lovely slow guitar solo, and a song about an apple tree, in which a couple of people were handed the shakers, and we all helped with percussion with what we had in hand, in my case, the reviewer’s pen against a glass.
We joined in the chorus of the song that we’d done at the Durham Festival – ‘O Adiar, Adio, opa, opa, opa’, followed by a long guitar solo which was based on the tune that we’d just sung – great stuff. This was all rounded off with There’ll Never Be Another You, with solos, and Paul up at the dusty end of the bass fingerboard.
Another enjoyable night at the Globe.

Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance