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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 08, 2018

Jam Session at the Fire Station, Sunderland - June 7.

Stu Collingwood (piano); Andy Champion (bass); Russ Morgan (drums) + Kate O'Neill (vocal); Matt MacKellar (drums); Gordon Brown (alto); Adam Cornell (bass guitar).
(Review by Lance).
The third week of the Fire Station jams and, I'm pleased to report that in addition to the house trio there were four more jammers than there were on the first week (I missed the second week). Four totally different players and approaches.
The trio kicked off with Come Rain or Come Shine setting the mood for the evening which I'm told was the hottest of the year so far, temperature-wise. I'm not quite sure where this was recorded but it certainly wasn't in Sunderland. In fact, as Kate O'Neill sang, It Might as Well be Spring. Prior to this, like all girl singers do, she'd sang Cry me a River and, the not so overworked, Crazy he Calls me. All three delivered in her own distinctive manner.
The ubiquitous Matt took over on drums for Caravan which saw us through to intermission time.
A surprise visitor was Gordon Brown, who isn't a former Prime Minister but currently blows lead alto with the Bright Street Big Band - an equally demanding position.
Gordon's manifesto consisted of It's Only a Paper Moon, Satin Doll and Besame Mucho which he delivered as promised. No wild fantasies, just pure-toned melody and light variations that nestled easily on the ear.
Adam Cornell provided contrast. A Sage Gateshead student, he left Andy Champion to do the basic bass work whilst he moved up the fretboard for a guitarish blast on, I think, Billie's Bounce. He also played one of his own compositions entitled, Sometimes It's Alreet Yer Knar (he's from Sunderland).
He also scored it in 6 flats which is more flats than your average musician plays in a lifetime and is known to have caused early retirement by many a musician.
Fortunately, Stu, Andy and Matt weren't phased and handled it with ease. Andy even taking a bowed solo.
As the evening drew to a close Kate returned for Summertime and, finally, Don't Explain.
An enjoyable evening. Check it out next Thursday.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance