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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sunday, June 10, 2018

And the MD Danced ! The Customs House Big Band with Paul Edis and Emily McDermott @ St. Cuthberts Parish Centre, Crook - June 8.

(Review & Photos by Jerry.)
A beautiful evening saw the welcome return of the Customs House Big Band to Crook for some great pizza, even better music and still no raffle prize for yours truly! I’ll keep trying! Ruth Lambert could not be there – best wishes from all us fans, Ruth – but Paul Edis and Emily McDermott were, to provide some vocals and some variety.
Bang on time (I love that!) the band launched us into a tune with a nice, clean finish (I love that, too) which I thought Peter Morgan announced as Recorda Me, but which I couldn’t find on Google when trying to check. I found the mic. a problem all night and missed many of the intros, which was irritating, and struggled to hear Emily McDermott’s vocals, which was criminal! Anyway, Paul Edis then took centre stage to conduct while the band played some of his own arrangements and compositions.

First up was Bright Mississippi, a Thelonius Monk contrafact (yes, I’ve been Googling again!) based on Sweet Georgia Brown, some bits of which I was still able to recognise. Loved it, as I do the original. Among other solos here we had the first of many from another Jambone graduate, Bradley Johnston. Great stuff! Another clean-picked solo followed on The Coast, a Jobim influenced Edis original where flute and piano (sorry, can’t name the soloists) were also prominent.
Two vocals from Emily followed – My Funny Valentine (arr. Edis) and Rome Wasn’t Built in a Day (Edis original). The aforementioned problems with the mic seemed to unsettle this promising young singer on the former and, although she was more confident on the latter, receiving “whoops” of approval, the volume still wasn’t balanced so we didn’t hear that clear, powerful voice at its best. I look forward to the next time. Last of the Edis contributions was The Narrow Escape, a “sort of cartoon theme” up-tempo number, and then Peter Morgan returned to lead the band in Halleluiah, I Just Love Her So, the closing number for the first set. This featured some nice muted trumpet, a tenor sax solo and some audience participation – clapping in time to the music at the MD’s invitation.

He had less success in the second half, trying to incite dancing, though his own nimble movements from conducting out front, up the steps to bass-tromboning with the band, set a fine example on Flight of Fancy (where trombones were to the fore but the drummer seemed to stitch it all together) and Stolen Moments. He observed that he could see people “twitching” to dance (there were feet tapping and shoulders swaying all evening, to be fair) but no-one took to the floor. As if despairing of the Crook crowd he began waltzing an imagined partner towards the door, but came back to conduct The Way You Look Tonight, which seemed to start and end with a fanfare and swung outstandingly in between.

Another missed title (a Buddy Rich number?) kept the feet tapping then a rousing drum intro launched us into A Few Good Men. Next, Why Musicians Can’t Dance (or even shuffle?) was flagged up by the MD as “our excuse” – the implied question, presumably, being “what’s yours?” Impervious to subtlety we maintained our Britishness and kept to our seats through the last number, Stomping at the Savoy (which made us twitch a lot) and the one after the last number, Stepping Out (which made us twitch even more but which had the MD in full Michael Jackson mode by the end!). Cue lots of applause then we stepped out from the wall of sound (Phil Spector is credited with inventing that but big bands got there years before him!) into a perfect sunset. It was that sort of evening! 
Photos.
Jerry.

Personnel courtesy of Peter Morgan:
Trp: Bob Temple, Paul Riley-Gledhill, Alan Catherall, Mick Hill
Trb: Dave Brocklesby, Don Fairley, Alistair Wood, Peter Morgan (MD)

Sax: Alan Marshall, Kim Skerritt, Jim McBriarty, Jamie Toms, Chris Kaberry
Pno - John Stephenson
Bass - Alan Smith
Guitar - Bradley Johnston
Vocal (for song from Paul Edis) Emily McDermott

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