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Bebop Spoken There

Reuben James: "Mark [Kavuma] has such a unique sound on the horn. He lets it all hang out in a very vulnerable way when he plays ballads." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Cancelled!

JCM: In Memory of Jon Hiseman - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:00pm. £20.00. (£18.00. adv.). Clem Clemson (guitar); Mark Clarke (bass); Ralph Salmins (drums). Support: T-A-B ((Tom Atkinson Band).

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Alter Ego - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. £5.00.

Blues

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 13, 2018

CD Review: Mishka Adams & Beto Caletti - Puentes Invisibles

Mishka Adams (vocals); Beto Caletti (vocals, guitars, bass, keys, arr.); Diego Alejandro (drums); Nuria Martinez (flutes on Mil Vezes); Pedro Carneiro Silva (piano on Puso Mo).
(Review by Lance).
Given the South American music contained here I mistakingly, albeit understandably, assumed this would be a tribute to the late Tito Puentes. I was wrong, that Puentes is, indeed, invisible here.
Or is he?
Very little South American music hasn't been influenced by Tito and vice-versa. However, here, puentes translates to bridges and the bridges are invisible as the duo journey through South America - different countries, different languages, different rhythms all blending beautifully and, even though the foreign tongues sing words that I no entiendo the charming sound of the voices more than compensate for my multilingual shortcomings.
As I've said before, you don't need fluent Italian to enjoy Grand Opera or a Summa Cum Laude in scat-singing to appreciate Ella Fitzgerald and nor do you need to have been on speaking terms with that Ipanema girl to get pleasure from this album.
Debatable as to whether it should be classed as jazz. HMV would probably rack it under Easy Listening or World Music. Maybe it's World Jazz.
Mix a Cuba Libre or a Piña Colada, close your eyes and relax. You've missed the launch at Pizza Express which was a couple of days ago but there are a few London gigs in July, one in Wales and several in Germany and Slovenia if you've got a current passport.
Pete Churchill had this to say: "She, Mishka Adams, is a songwriter's dream - a great understanding of text, and, quite simply, one of the most beautiful voices I've ever heard".
Coming from  Pete Churchill, himself Professor of Jazz at the Royal Academy of Music, that is praise indeed. Praise that I'll go along with and also mention that Beto Caletti is no mere second banana but fully deserving of his joint billing.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance