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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18069 (and counting) posts since we started blogging 17 years ago. 390 of them this year alone and, so far, 68 this month (May 222).

From This Moment On ...

MAY 2025

23: Dean Stockdale Quartet @ The Gala, Durham. 1:00pm. ‘Celebrating Oscar’. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Anna Reay & Deon Krishnan @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free.
Fri 23: Joe Steels Group @ The Pele, Corbridge. 7:00pm. £10.00. + £1.55. bf. A Northumberland Jazz Festival fringe event.
Fri 23: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 23: Gaz Hughes Quartet @ Traveller’s Rest, Darlington. 8:00pm.
Fri 23: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. £19.00.; £17.00. ‘Time After Time’.

Sat 24: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:15pm. Free. Vocalist Isaacs working with backing tapes.
Sat 24: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 1:30pm. Northumberland County Show.
Sat 24: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 24: Ray Stubbs R&B All Stars @ The Peacock, Sunderland. 6:00pm.
Sat 24: Dean Stockdale Quartet + Mingus Sings @ Queen’s Hall, Hexham. 7:00pm. Admission: see website: www.queenshall.co.uk. Stockdale (piano); Tim Williams (guitar); Gavin Barras (double bass); Gaz Hughes (drums) + Mingus Sings: Sara Oschlag (vocals); Alan Barnes (reeds); Tim Lapthorn (piano); Arnie Somogyi (double bass); Clark Tracey (drums). A Northumberland Jazz Festival event.
Sat 24: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 24: Saltburn Big Band @ Saltburn Community Hall. 7:30pm. £12.00.
Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 25: Northern Monkey Brass Band @ Spanish City Plaza (outdoor stage). 11:30am & 1:00pm. Free. A Whitley Bay Carnival event.
Sun 25: Zoë Gilby & Andy Champion: Bandstand Sessions @ The Sele, Hexham. 12 noon. Free. A Northumberland Jazz Festival event.
Sun 25: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 25: Ruth Lambert Trio @ Juke Shed, North Shields. 1:30pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 25: Catriona Bourne Quartet @ Queen’s Hall, Hexham. 3:00pm. Admission: see website: www.queenshall.co.uk. Bourne (harp), Francis Tulip (guitar), James Owston (double bass), Joe Bainbridge (drums). A Northumberland Jazz Festival event.
Sun 25: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 25: Struggle Buggy @ The Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Blues.
Sun 25: Joe Steels Group + Norma Winstone (vocals); Nikki Iles (piano); Mike Walker (guitar); Steve Watts (double bass). 7:00pm. Admission: see website: www.queenshall.co.uk. Steels (guitar); Ferg Kilsby (trumpet, flugelhorn); Ben Lawrence (piano); Paul Susans (double bass); John Hirst (drums). A Northumberland Jazz Festival event.
Sun 25: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 25: Xhosa Cole/Neil Charles/Mark Sanders @ The Globe, Newcastle. 8:00pm. A JNE promotion. Note: Xhosa Cole replaces Nicole Mitchell.

Mon 26: Catriona Bourne Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Bold Big Band @ Newcastle Arts Centre, Newcastle. 7:00pm (doors). £12.00. & £10.00.
Tue 27: Alexia Gardner Quintet @ Newcastle House Hotel, Front St., Rothbury NE65 7UT.7:30pm. £12.00.; £10.00. adv. from Tully’s (opp. venue).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: That’s the Blues, Dad.
Thu 29: Nova.sol + Mikoudi @ Cobalt Studios, Newcastle. 7:00pm.
Thu 29: Front Porch Three @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Americana, blues etc.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, June 03, 2018

DJazz: The Durham City Jazz Festival. Francis Tulip Quartet @ Empty Shop - June 2.

Francis Tulip (guitar); Ben Lawrence (piano); Michael Dunlop (bass guitar); Matt MacKellar (drums).
(Review by Lance).
The Empty Shop wasn't empty. Is it ever? Certainly not when these guys are the attraction. They may not have been shaving for very long but, going by the maturity of their playing, they should have had grey beards and told stories about jamming with Miles on 52nd St.
As it happens, Miles was present in the form of the opener - Milestones. Taken at a faster lick than the original, the cards were laid down and they were all aces. Any infidels at this first-floor shrine were soon converted. Youth had won the day after but one number. 
Ben Lawrence, in his first public appearance with the band, slotted in seamlessly. It had been some time since I last heard him and it would seem that he has progressed in leaps and bounds. Of course, in this company, you either cut it or fall flat on your ass. Ben's still standing.
Matt MacKellar's progress has been well documented. Outside, the heavens had opened but the thunder was inside as Matt drummed up a storm of his own. I've heard drummers do less in a solo than he does in support. I'm unsure as to whether this is a good thing or a bad thing but, in this band at least, it's a good thing; driving, pushing the soloist to the limit.
If Matt's the rhythmic dynamo then Francis Tulip is the melodic version. Inventive, I swear he discovers a 'new' lost chord in every solo. His fretboard agility is more than mere exhibitionism, he needs that technique to unleash the constant flow of ideas.
I know someone will pull me and say, "Why do you always leave the bass player till last?" I hold my hand up and plead guilty to the charge. I don't know is my answer. I suppose it's because in 9 out of 10 bands the bass player's solo - if he's allowed one at all - invariably is the last one before the head or the fours (of which he's rarely included).
The bass player is the least appreciated by the audience and yet, imagine having the best automobile in the world and no tyres. Michael Dunlop is well named.
So, apart from Milestones, what else was played?
Darn That Dream; Giant Steps played at a fast Latin tempo; Peter Bernstein's Bones - dedicated to his dog; Scofield's Keep me in Mind; Kenny Wheeler's La Belle Helene - Like Tulip père, I'm not a big Wheeler dealer but this version was ok going from bland to bombastic and back again. Finally, as newcomer Ben is a big Robert Glasper fan, they finished off with his Rise and Shine. This we duly did, responding with thunderous applause only this time the thunder was outside and my brolly was in the car parked some distance away - but what was getting wet compared to a session like this!
Lance.

1 comment :

Anonymous said...

The kind of drumming as seen especially in big boys like Tony and Elvin marked the use of the kit as something to be used as a springboard and facilitate a lot of interaction in a way far greater than the drumming of the bebop era. Certainly for Elvin, form became less important than vibe and energy . There was another excellent example of this in Will Glaser with Soweto later on saturday night.

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