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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 16, 2018

Martin Speake @ Opus 4 Jazz Club, Darlington - June 15

Martin Speake (alto saxophone); Paul Edis (piano); Andy Champion (double bass); Russ Morgan (drums)
(Review by Russell) 
Ingerlund! Ingerlund! Ingerlund! Yes, it’s that time of year, England expects…not very much. The quadrennial global festival of football is underway. In the lounge of the Traveller’s Rest the World Cup match in progress – Portugal v Spain, Even-Stephen at 2-2 – was being watched by the few, with the majority more concerned with getting the beers in and then climbing the stairs to claim a seat in readiness for the appearance of Martin Speake.


Earlier in the day, saxophonist Martin Speake played to another large turn out in the Gala’s Studio Theatre. Working with a friend of old, adopted Geordie, drummer Russ Morgan and two of the north east’s home-grown, world-class jazz musicians – pianist Paul Edis and bassist Andy Champion – Speake made the short hop from the Land of the Prince Bishops down to Opus 4 Jazz Club for this summer’s evening engagement. The one-time Itchy Fingers’ man must have been delighted Russ, Paul and Andy were available for both gigs.

A man of few words, Speake let his alto speak, so to Speake. Under the gaze of Opus 4’s gallery of jazz greats, the altoist’s modus operandi – state the theme, develop extended solo, step aside, listen to the contributions of his fellow musicians, return centre stage to take it out – is, perhaps, a model some others could adopt. Grandstanding wasn’t his game, consummate musicianship was. Speake’s full, lyrical tone is rooted in old-school ways of playing with an ear to the current crop of incisive, biting alto saxophonists. Victor Young’s Delilah, with particular reference to the EmArcy recording by Clifford Brown and Max Roach, illustrated Speake’s default adherence to the bebop revolution. Where Are You? (comp. Adamson/McHugh), I Wish I Knew (comp. Warren/Gordon), Once in a While (a US No.1 for Tommy Dorsey), it was refreshing to hear a set list comprised of fewer predictable standards. It’s probable that the trio received little, or no, notice of the altoist’s selections. How magical it was that they produced such a flawless performance.

One of many highlights – a double helping of Charlie Parker, first Drifting on a Reed, followed by Bird Feathers – must have had Speake thinking his Durham/Darlington day away was one of his more satisfying engagements such was the brilliance of his bandmates. Speake’s wonderful solo excursions were more than matched by pianist Edis, Champion’s imperious bass playing and the class act at the back, drummer Morgan.

Opus 4 regulars groaned, some dared to titter, as Speake introduced Strangers in the Night (the tune Frank Sinatra didn’t like singing!). How wrong can one be?! The evening’s star guest turned the number inside out, re-harmonising and improvising as if on one of Bird’s reeds. To close the evening Speake chose to play Round Midnight then Richard Rodgers’ If I Loved You. An assured performer is Speake, it had been a while since his last appearance in the region, here’s hoping he returns sooner rather than later.   
Russell                   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance