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Bebop Spoken There

Charlotte Keeffe: "I don't know what I'm going to play any more than you [the audience] do." - (Jazz North East/Jazz Co-op gig June 13, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,359 (and counting) posts since we started blogging 13 years ago. 777 of them this year alone and, so far, 51 this month (June 13).

From This Moment On

JUNE

Wed 16: Washboard Resonators @ Punchbowl Hotel, Jesmond, Newcastle (8:00pm). SOLD OUT!

Thu 17: Vieux Carré Jazzmen @ The Holystone, North Tyneside (1:00pm).

Thu 17: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 18: Jazz Jamaica @ Sage Gateshead (8:00pm).

Sat 19: Jude Murphy @ Prohibition Bar, Newcastle (8:00pm).

Sun 20 Knats @ The Globe, Newcastle (8:00pm). Advance booking essential: www.jazz.coop. SOLD OUT. But livestream still available.

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). CANCELLED TFN.

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). CANCELLED TFN.

Saturday, June 16, 2018

Martin Speake @ Opus 4 Jazz Club, Darlington - June 15

Martin Speake (alto saxophone); Paul Edis (piano); Andy Champion (double bass); Russ Morgan (drums)
(Review by Russell) 
Ingerlund! Ingerlund! Ingerlund! Yes, it’s that time of year, England expects…not very much. The quadrennial global festival of football is underway. In the lounge of the Traveller’s Rest the World Cup match in progress – Portugal v Spain, Even-Stephen at 2-2 – was being watched by the few, with the majority more concerned with getting the beers in and then climbing the stairs to claim a seat in readiness for the appearance of Martin Speake.


Earlier in the day, saxophonist Martin Speake played to another large turn out in the Gala’s Studio Theatre. Working with a friend of old, adopted Geordie, drummer Russ Morgan and two of the north east’s home-grown, world-class jazz musicians – pianist Paul Edis and bassist Andy Champion – Speake made the short hop from the Land of the Prince Bishops down to Opus 4 Jazz Club for this summer’s evening engagement. The one-time Itchy Fingers’ man must have been delighted Russ, Paul and Andy were available for both gigs.

A man of few words, Speake let his alto speak, so to Speake. Under the gaze of Opus 4’s gallery of jazz greats, the altoist’s modus operandi – state the theme, develop extended solo, step aside, listen to the contributions of his fellow musicians, return centre stage to take it out – is, perhaps, a model some others could adopt. Grandstanding wasn’t his game, consummate musicianship was. Speake’s full, lyrical tone is rooted in old-school ways of playing with an ear to the current crop of incisive, biting alto saxophonists. Victor Young’s Delilah, with particular reference to the EmArcy recording by Clifford Brown and Max Roach, illustrated Speake’s default adherence to the bebop revolution. Where Are You? (comp. Adamson/McHugh), I Wish I Knew (comp. Warren/Gordon), Once in a While (a US No.1 for Tommy Dorsey), it was refreshing to hear a set list comprised of fewer predictable standards. It’s probable that the trio received little, or no, notice of the altoist’s selections. How magical it was that they produced such a flawless performance.

One of many highlights – a double helping of Charlie Parker, first Drifting on a Reed, followed by Bird Feathers – must have had Speake thinking his Durham/Darlington day away was one of his more satisfying engagements such was the brilliance of his bandmates. Speake’s wonderful solo excursions were more than matched by pianist Edis, Champion’s imperious bass playing and the class act at the back, drummer Morgan.

Opus 4 regulars groaned, some dared to titter, as Speake introduced Strangers in the Night (the tune Frank Sinatra didn’t like singing!). How wrong can one be?! The evening’s star guest turned the number inside out, re-harmonising and improvising as if on one of Bird’s reeds. To close the evening Speake chose to play Round Midnight then Richard Rodgers’ If I Loved You. An assured performer is Speake, it had been a while since his last appearance in the region, here’s hoping he returns sooner rather than later.   
Russell                   

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