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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, June 04, 2018

DJazz: Durham City Jazz Festival - Bits and Pieces (and still great value at £10)

(Musings of Ann Alex/photo of organiser Carlo outside of Empty Shop by Russell).
I arrived in Durham on Saturday afternoon and was met with a woman singer who was doing quite well with jazz standards, at one end of the marketplace. I’m still not sure whether she was part of the festival – I suspect not, as she appeared to be accompanied by canned music.  My luck was in as Tony Eales then appeared, as if by magic, and he directed me to the Empty Shop venue, which I’ve wanted to visit for ages. I just wished to check it out, but of course, I stayed for half an hour, I just couldn’t stop listening to Francis Tulip’s Quartet (reviewed elsewhere). I did worry that if they played any louder, we might all be buried in rubble if this very old building collapsed!

I left before the end and was met this time by heavy rain, which impeded my travels to The Claypath Delicatessen. I was quite unable to get through the door of this venue, which was blocked by the (er) rear end of a man who was very busy taking official photos of the band’s performance until an organiser asked him to move out of the way for a minute. Amusing stuff like this adds fun to festivals, for me it does, anyway. 
The Julija Jaciente Trio (Julija on vocals, with Steve Glendinning on guitar and Paul Grainger on bass) were just rounding off their first set. The second set opened with Misty, with very skilled scat from Julija. I’m not into scat all that much, but Julija’s is very acceptable as it really fits into the song well and it isn’t just an add-on, but an integral part of the music. There’ll Never Be Another You followed, with really wild scat this time, but it worked well as it came across as humorous, almost as if our singer was making fun of herself. And we had the added attraction of a bass solo, and of course Steve’s wonderful guitar.

Then came the audience participation. I’m used to this from folk music clubs, but it’s more unusual in jazz circles. However Julija has the right sort of personality to make this a success. We were taught a simple song with the words ‘O adiar, adio, opa, opa opa’, two people were given shakers to play, and we were off. Then dancing was suggested by our singer, so a couple got up and did just that. The set was rounded off with a heartwarming version of What a Wonderful World, which is the first jazz song that Julija heard, many years ago. I guess that the first half must have been much longer and I’d missed it, and I wished I could be split in two. Julija's new CD of originals will be reviewed shortly by Lance.

I was interested to realise that at this venue, most of the audience was young, with many, being in Durham, students, whereas at the Empty Shop, the audience was older, mostly people I knew from the Gateshead Jazz Festival.

I then wandered vaguely in the direction of the Redhills Durham Miners Hall, and soon met others going there to hear Soweto Kinch (reviewed elsewhere).  I sat in the seat of the delegate for pit number 35 (I wonder which pit that was?) and enjoyed the gig, and also found out what Freestyle (from hip hop culture) actually is. You learn lots at festivals. This one was wonderfully well organised, and the people on duty were very helpful.
I’ll be back next year!
Ann Alex

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