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Bebop Spoken There

Craig Taborn: "Every sound you make is a choice, and it's a choice made in relation to everything happening around you" - (DownBeat, May 2019).

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Today Thursday April 18

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

DJazz: Durham City Jazz Festival Launch - Courtyard Café, Palace Green Library, Palace Green, Durham DH1 3RN. 7:00pm. £5.00. Featuring Hand to Mouth: Lindsay Hannon & Bradley Johnston.

JR Trio - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student). Line-up: James Romaine (alto sax); Asaph Tal (double bass); Kai Chareunsy (drums). Birmingham Conservatoire student trio. Gig replaces Francis Tulip Quintet (to be rescheduled).

Archipelago + Paul Taylor - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 7:45pm. £8.00. (£6.00. concs). JNE.

Anth Purdy - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Tees Hot Club: Dormans Jazz Festival.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Joseph Carville Trio - Bar Loco, Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:00pm. Free. Carville (piano), Allan Peat (double bass), Mark Rayner (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 31, 2018

Hand to Mouth @ The Dun Cow - May 30

 Lindsay Hannon (vocal); Bradley Johnston (guitar).
(Review by Lance).
Delightful!
I could end the review now for that one word sums up a session that had indeed been – delightful!
However, my readers, hopefully, want more i.e. what made it so delightful?
It all began about 40 years ago when Ella Fitzgerald and Joe Pass recorded the first of a series of duo albums that became genre classics. Until recently, they were hallowed ground where angels feared to tread but, with the (Joe) passage of time, the realisation that this was relatively unploughed pastures encouraged newer faces to explore the source material.
To my ears, none have done it better than Hannon and Johnston or, to give them their official title, Hand to Mouth.
This was proven tonight when they held the small, but attentive, audience in the palm of their hands. For me it was the first time in living memory that I’ve attended a pub gig where the performers were shown such undivided attention that, had someone dropped a pin, it would have sounded like a Buddy Rich drum solo.

Needless to say, the silence was well and truly broken by the applause at the end of each number.
Lindsay makes no attempt to emulate Ella, who could? Lindsay is Lindsay and if there are any extraneous influences then perhaps a hint of Anita O’Day occasionally seeps in in the way that both singers take outrageous liberties with melody and lyric that, nevertheless, always seems to work.
Bradley too is his own man. He’s absorbed the Joe Pass approach and, via a glance at Pat Metheny, tailored it to suit – he wears it well.

The material was, in the main, familiar without being hackneyed: Take Love Easy; Dindi; Don’t Be That Way; Willow Weep For me; I Love Being Here with You; I Ain’t Got Nothin’ But the Blues; The Very Thought of You and I Can’t Escape from You
Amazingly, I couldn’t recall this latter number even though it was written in 1936 by Leo Robin and Richard Whiting and sung by Bing in the film Rhythm on the Range. It’s a lovely song and yet, back in 1936, it was the flipside to Bing’s 78 that became the big hit – I’m an Old Cowhand from the Rio Grande!  

All Too Soon; Gee Baby Ain’t I Good to You?; Someone to Watch Over me*; A bop number, was it Well You Needn’t?; Solitude; Down With Love; I Wish I Were in Love Again (Larry Hart’s amazing quadruple-rhymed lyrics – (The broken dates, the endless waits, the conversations with the flying plates, the lovely loving and the hateful hates… magic!) and Some Other Time.

As I wrote at the beginning…
Delightful!
Lance.

*Someone to Watch Over me was a particularly poignant moment as Brad reminded us that it was just over a year ago on May 25 that Margaret Barnes died. Margaret, who was such an enthusiastic supporter of jazz was perhaps Brad’s biggest fan and whenever possible attended his gigs even though on one occasion it meant postponing the start of her chemotherapy. Everyone who knew Margaret had fond memories of her and Brad’s words helped keep that memory alive.
The choice of song was apt and Lindsay’s interpretation of the verse added to the emotional content.
RIP Margaret, we still miss you, we always will...

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