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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 05, 2018

CD Review: The Brubeck Brothers - Timeline

Chris Brubeck (bass guitar/ bass trombone); Dan Brubeck (drums); Mike DeMicco  (guitar); Chuck Lamb (piano)
(Review by Lance).
I've long been a Brubeck fan, albeit not a hero-worshipper oblivious to his sometimes heavy-handed approach, but one who appreciated his sincerity, his compositional qualities and (most of the time) his piano playing. Brubeck's innovative use of unusual time signatures brought a new dimension to modern jazz that only now is being brought into the jazz mainstream.
Given this background, it isn't surprising that his family are continuing to keep his legacy alive whilst contributing some of their own. Apart from Chris and Dan, featured here, there is also pianist Darius Brubeck and cellist Matthew.

Seven of the eleven tracks are compositions by Brubeck père although probably, only the opening Blue Rondo à la Turk will be familiar to the nonaficionado. Far More Blue; Easy as You Go; Since Love Had its Way; Tritonis; The Golden Horn and Thank You may be lesser known but are no less appealing and, in many ways, because they are less gimmicky, of greater lasting value.
Easy has some mellow trombone from Chris who really blows 'dirty' on Lamb's Prime Directive. Thank You was inspired by Dave Brubeck's visit to Chopin's house in Poland. Anyone who watched last night's screening of the documentary, The Jazz Ambassadors, on BBC4 will recall that after Dave had played it at a concert, the Polish audience were stunned into silence for a full minute before erupting with rapturous applause. Lamb, on the 60th anniversary of that tour by the boy's dad, does that memory proud and Chopin too would surely have appreciated (I hope) the trombone playing over a bossa nova rhythm in 5/4!
Chris Brubeck, Lamb (2) and DeMicco provide the other four compositions. Each one in keeping with the tradition.
I heard Dan and Chris (and Darius) at Sage Gateshead a few years back with Dave O'Higgins taking the Paul Desmond role (on tenor) and I was a little hesitant when I noted there was no sax player on this album. My worries were unfounded, DeMicco's guitar solos and Chris' rich toned trombone provide the lyricism that Desmond did back in the day. 
Timeline is a fine album - Dave would have been proud of his offspring and maybe even more so when he discovered that yesterday, America celebrated Dave Brubeck Day (May 5/4!)
Available on Blue Forest Records.

Lance

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance