Total Pageviews

Bebop Spoken There

Oscar Peterson: "I find most pianists use too many notes in a chord. They double up an awful lot" - (Crescendo May 1963).

Benny Green (British): "...there was a whole race of men who used to stand in front of their bands, waving their arms, pretending to conduct ... Many of the bandleaders we had worked for had been either crooks or imposters ... " - (Crescendo March 1963).

Today Friday September 21

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Zoë Gilby Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Ladies of Midnight Blue - Seven Stories, National Centre for Children's Books, Lime Street, Newcastle NE1 2PQ. Tel: 03000 3301095. 11:00am. £5.00.

Paul Edis - The Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 1:00pm. £5.00. Edis, solo piano.

Evening

Ronnie Scott's All Stars - Middlesbrough Theatre, The Avenue, Linthorpe, Middlesbrough TS5 6SA. Tel: 01642 815181. 8:00pm. £22.50.

Groove-a-matics - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

George Shovlin & the Radars + Broken Levee - The Peacock, High St West, Sunderland SR1 3ES. Tel: 0191 511 1451. 7:00pm. £10.00. (+ £1.00. b/f). New blues venue.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 04, 2017

New Century Ragtime Orchestra with Keith Nichols & Nick Ward @ The Caedmon Hall, Gateshead. February 3

(Review by Russell)
Welcome to the New Century Ragtime Orchestra’s twentieth annual concert in Gateshead… what an achievement! Several members of the orchestra were there at the beginning. As much as band mastermind Dave Kerr tries, he just can’t get shot of them! Seriously, the longevity of an orchestra dedicated to uncovering lesser known charts of the period (c.1890-1935) and presenting the music to an audience on a regular basis is no mean feat.
Befitting of the occasion, Keith Nichols, a long-standing friend of the orchestra, appeared as guest star, together with Brummie period percussion specialist Nick Ward. A full house at Caedmon Hall enjoyed two sets of ragtime, swing and popular song. Sweet Jennie Lee for starters, then Ellington (MC Steve Andrews joked that they might as well get Ellington out of the way!), Cole Porter’s Let’s Do It (a first vocal feature of the evening for Caroline Irwin) and I Can’t Give You Anything But Love (Baby).

Keith Nichols’ first contribution, accompanied by Nick Ward (the orchestra made a dash for the bar, not that they didn’t appreciate Nichols’ talents, they simply wanted another drink!) included Maceo Pinkard’s Sugar and a brilliant rendition of James P Johnson’s The Mule Walk.

Caroline Irwin returned to the stage with the reassembled orchestra to sing Irving Berlin’s You’d be Surprised. Steve Andrews has a penchant for gently poking fun at one or two members of the band and on this occasion he had Ms Irwin in his sights. The diminutive Irwin gave as good as she got – if you dish it out…To close an enjoyable first set Andrews himself sang Nagasaki (tongue-twisting lyrics to boot) and played with his new toy – a baritone saxophone! Someone enquired how much it was worth, Andrews replied: I’d accept two grand for it!

Numerous raffle prizes found a home, someone found the band in the bar, and soon we were into the second set. Deep Henderson, then Chattanooga Stomp (Keith Stephen, on banjo, Gavin Lee, clarinet). Irwin wanted to Get Out and Get Under the Moon following up with a new chart in the pad It Was Only a Sun Shower. Target number two: Andrews waxed lyrical about Louis Armstrong and his world famous recording of West End Blues. Looking at Graham Hardy, MC Andrews wished the bearded trumpeter all the best. Hardy stood up…Louis’ intro surely a terrifying prospect? It should be noted that G Hardy lives to tell the tale. Take a bow Graham!

Keith Nichols and Nick Ward resumed their partnership with a selection from the 1928 stage show Blackbirds of 1928 (the production made Adelaide Hall’s name). At times playing at a bewildering speed, Nichols found time, without breaking stride, to quip: You think this looks easy! A virtuoso.
Steve Andrews – baritone sax in hand – made it a trio in joining the evening’s guest stars to play Sophisticated Lady. A magical performance ensued, prefaced by typical jazz musician wit. Steve and Keith suggesting two alternative titles…Suffocated Lady in A Flat or Suffocated Lady in a flat. Spot the difference.
A marvellous evening with the New Century Ragtime Orchestra. Here’s to the next twenty years!
Russell.          

The New Century Ragtime Orchestra: Ed Cross (violin), Jim McBriarty (clarinet, alto sax, soprano sax & vocals), Alan Marshall (clarinet, alto sax & soprano sax), Gavin Lee (clarinet, tenor sax & soprano sax),Steve Andrews (MC, clarinet, baritone sax & vocals), Alex Lewis (trumpet), Graham Hardy (trumpet), Neville Hartley (trombone), Colin Haikney (piano), Keith Stephen (banjo & guitar), Phil Rutherford (sousaphone) & Caroline Irwin (vocals) + Keith Nichols (piano & vocals) & Nick Ward (drums)  

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance