Album review: Nancy Reed, Spencer Reed - Happying

Nancy Reed (bass guitar, vocals); Spencer Reed (guitar, vocals); Bill Goodwin (drums on tks 1,2,4,6,7,8); Dave Liebman (soprano sax on tk 3); Jay Rattman (alto sax on tk 1 clarinet on tk 6); Peter Phillips (synth on tk 5); Ed Ludwig (tenor sax on tk 8); Craig Kastelnik (synth on tk 4 B3 on tk 8); Neil Braunston (drums on tk 5) 

This one slipped through the net - it's been languishing in my in-tray (that's a laugh! My in-skip would be more like it) since June. Somehow, some fast-talkin' PR person got the jump on Nancy and Spencer. However, all good things come to them that wait and with this album the waiting's over.

If you like/liked Man Tran, LHR, Jackie and Roy or any jazz-related harmony group whether in duo, trio or quartet format then this is for you.

The couple's romantic attachment is matched by their musical compatibility which shines through  on all eight tracks.

Cheerful Little Earful has the duo swinging like they were on 52nd Street back in the day. Goodwin, who's on seven of the eight tracks drives it along. Spencer solos and Rattman's alto doesn't hurt at all.

I doubt if there is a better jazz standard to capture a sultry mood than Benny Golson's Whisper Not, certainly not when sung by Nancy and Spencer. Spencer's guitar solo, enhanced by Nancy's bass, is an unbeatable combination.

I was unfamiliar with Chicago's Does Anybody Really Know What Time It Is? but Robert Lamm's lyric is effectively interpreted by Nancy and there's some fine soprano from Dave Liebman.

One of the all-time great big band albums is the Thad Jones-Mel Lewis Jazz Orchestra's Blue Note album Consummation and one of the tracks on that album is Jones' A Child is Born. Here, with lyric by one of the songwriting greats, Alec Wilder, Nancy does both composer and lyricist proud, even though I'm usually averse to synthesisers. However, in the right hands ... it's in the right hands...

And yet another synth! This time it's Peter Phillips twiddling the knobs on Feel Like Makin' Love. Nancy handles it like a rock chick.

Morning Morgantown has the edge on Joni's version courtesy of Rattman's clarinet which adds a piquancy to the song.

Guitar and voice in unison make Moanin' that little bit different from the version by the Jazz Messengers. Nice one with or without the finger snaps!

Happying sums up the title track. It's a funky soul blast with B3, tenor sax and guitar in there. It's like the jam session to end all jam sessions. Party time! Lance

BANDCAMP.