Total Pageviews

Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17873 (and counting) posts since we started blogging 17 years ago. 194 of them this year alone and, so far, 41 this month (March 14).

From This Moment On ...

MARCH 2025.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. CANCELLED PERMANENTLY!
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Nicknames.
Thu 20: Terri Green Experience @ Pilgrim, Newcastle. 7:30pm. £15.90.
Thu 20: King Bees @ The Cumberland Arms, Byker, Newcastle. 7:30pm (doors). Superb blues band.
Thu 20: Lindsay Hannon Trio @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Hannon’s ‘Tom Waits for No Man’ set.
Thu 20: Ray Stubbs R&B All Stars @ Mill Tavern, Hebburn. 8:30pm. Free.

Fri 21: Paul Skerritt @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Giles Strong Quartet @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 21: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. Featuring special guest Martin Litton (piano).

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Swamp Stomp String Band @ The White Room, Stanley. 7:45pm.
Sat 22: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: The Great Deceivers @ The Globe, Newcastle. 8:00pm. Tom Atkinson & co play King Crimson (1969-1974). Atkinson (guitar); Josh Bentham (alto sax); Stu Dawson (bass); Jeff Armstrong (drums).

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: Fred Wesley & the New JB’s @ The Cluny. 7:30pm (doors). £27.50. POSTPONED! New date Wednesday 26 November.

Thu 27: Hannabiell & Midnight Blue @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 27: Michael Littlefield & Scott Taylor @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues duo.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, September 18, 2024

Lancaster Jazz Festival 2024 - Sunday, Sept. 15

It’s been a number of years since I was at the Lancaster Jazz Festival and the main venue - where the free bands appear – has moved and changed significantly. Kanteena is a rustic, barn style venue with rows of benches, part of a significant complex of which the weather on the day did not encourage the use or exploration of. It’s on the outskirts of town, which makes parking easy (though expensive), but also seems to be away from the town centre, which is a shame.

A bad case of kennel cough kept us away from the Saturday sessions – when the weather was much better – but Sunday was always the most enticing day of the weekend.

 

We arrived in time for most of Katoush, a local band led by trumpeter Adam Bradbury, with sax, guitar, electric bass and drums. A fine set which featured Hubbard’s Little Sunflower, Hancock’s Canteloupe Island and Lee Morgan’s Sidewinder, followed by an original Up-North. All delivered with obvious joy, particularly from the leader. If I lived in the Lancaster area I’d try to catch their gigs as often as I could.

 

Next up was Mahuki, a Scottish band currently on tour. We only caught the first track as we were headed to another gig but they were led by guitarist Honza Kourimsky, with trumpet, bass guitar, drums and Michael Butcher who played a fine tenor solo over a modern, spacey, groove based jazz.

 

Inner Space at Moorscape were the main draw for the festival, a tiny space I recall from last time I was here though I suspect the name has changed, or I’ve forgotten it. Turnout wasn’t as good as I’d have expected for musicians of this calibre, presumably due to the free event at Kanteena, which spared the walk through the rain, albeit a short one.

Inner Space could play any festival in the world; serious jazz by five first rate musicians and, with apologies to pianists and guitarists, I can’t get enough of these chordless units. Free jazz with a solid hard-bop root ensuring it never descends to random doodling. 


Xhosa Cole w. Steve & Christine T
Special mention to friend of the north east, tenor saxophonist Xhosa Cole, who’s surely matured into one of the finest sax players in the country, alongside his fellow band member here, Dee Byrne on alto. Faultless rhythm from Larry Bartley and Gary Wilcox on double bass and drums respectively, and the only acoustic bass across the four bands we saw. I like electric and acoustic bass which doesn’t mean I like either so much as both, so a mix is best for me. And of course the leader and composer Loz Speyer never put a note wrong as he led his younger colleagues through this difficult, rewarding music, steeped in jazz history but never sounding passé.

 

Back to Kanteena for one more show before the journey home, just as the weather was improving. Yoshizawa were described as jazz/prog rock though I suspect the jazz may have been added especially for the festival. Or perhaps it’s just that jazz can be applied to virtually anything nowadays. Flautist Ernie Moore who’d allegedly been landed with the introductions summed it up best: it’s a bit weird that it’s like not what it was like before.

They certainly reminded me of Dutch prog-rockers Focus in their jazzier moments but most of the audience at that time appeared to be more interested in the rock part of the description and several remaining jazzers soon left. However, the response from many of the rockers seemed very positive indeed and I certainly think they’ve got something, but there’s also something missing, whether that’s a singer – preferably female, a ‘serious’ musician to bring greater discipline or simply a bass player rather than the two keyboardists fulfilling that role. Still, some interesting sounds coming from guitarist Henry Skinner and relentless drumming from Amelie Yoshizawa, who gives them their name and seems to be the nominal leader.   

 

It was unfortunate that we had to condense our visit to one of the two main days but I thoroughly enjoyed the short trip and hopefully we’ll be back next year and the dogs and the weather will be better. Steve T

No comments :

Blog Archive