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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17372 (and counting) posts since we started blogging 16 years ago. 656 of them this year alone and, so far, 61 this month (Sept. 17).

From This Moment On ...

September

Thu 19: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 19: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. THC with guests Kevin Eland, Dan Johnson, Jeremy McMurray, Ron Smith.

Fri 20: Lindsay Hannon’s Tom Waits for No Man @ Gala Theatre, Durham. 1:00pm. £8.00.
Fri 20: Rob Hall & Chick Lyall @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Leeway @ 1719, Hendon, Sunderland. 7:30pm. The Old Black Cat Jazz Club. CANCELLED!
Fri 20: Gaz Hughes Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 21: Jason Isaacs @ Seaburn STACK, Seaburn. 1:00-2:45pm. Free.
Sat 21: Vieux Carré Hot Four @ The Beehive, Hartley Lane, Earsdon Whitley Bay NE25 0SZ. 4:30pm-6:30pm.
Sat 21: Baghdaddies @ Two by Two, Albion Row, Byker, Newcastle NE6 1RQ. 6:00pm.
Sat 21: Milne-Glendinning Band @ The Northumberland Club, Jesmond, Newcastle. 7:00pm. SOLD OUT!
Sat 21: Jude Murphy & Alan Law @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: Jason Isaacs @ St James’ STACK, Newcastle. 2:30-4:30pm. Free.
Sun 22: Dulcie May Moreno Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Richard Herdman @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 22: Remy CB Band @ Blues Underground, Nelson St., Newcastle. 8:30pm. Free. Remi, 2024 Newcastle Uni graduate, superb soul/blues voice!

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Paul Booth with the Paul Edis Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert! SOLD OUT!

Tue 24: Dulcie May Moreno Quartet @ Newcastle House Hotel, Rothbury. 7:30pm. £12.00. (£10.00. adv. from Tully’s of Rothbury). Coquetdale Jazz.
Tue 24: Sarah Gillespie @ The Cluny, Newcastle. 7:30pm (doors). £16.50. Duo performance with Chris Montague.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Middlesbrough Theatre. 7:30pm.

Thursday, September 12, 2024

Album review: Leslie Pintchik - Prayer For What Remains (Pintch Hard Records)

Leslie Pintchik (piano, composer, arranger);  Scott Hardy (bass); Michael Sarin (drums); Satoshi Takeishi (perc.) + Steve Wilson (soprano sax on two tks)

Pintchik's eighth album and I think the title gives a clue as to the mood although I could be wrong. We shall see ...

The title track* bears me out with some thoughtful piano from the leader and an expressive soprano wail from Wilson on the first of his two appearances.

However, Later Than We Thought  is more up. The bouncy Latin rhythm belying the inspiration behind the title (this might be our last cup of coffee!).

Request Denied. By now, my original thoughts have been banished. This one swings like some of those states will, hopefully, do in November. Nice bass solo from Hardy who just happens to have been married to Ms Pintchik for the past 37 years.

Private Moment, an absolute gem of a ballad that has a Bill Evans feel to it. Again Hardy is sound in both solo and support.

Over Easy brings Wilson back into the game. It's a jaunty, almost tongue-in-cheek head that all five seem to enjoy. Wilson is great I wanted him on more tracks. His 'fours' with Sarin  work seamlessly well.

I Will. Pintchik composed eight of the ten numbers but this one came from the team of Lennon and McCartney and, in this lady's hands, is none the worse for that. She transforms it.

Banquet. The other 'ringer' - Joni Mitchell penned this one. I haven't heard Joni's version so I can but judge it on what I'm hearing. And what I'm hearing is good. Sad, mournful and, now that I've checked out the original, I like it better without the words.

Open Secret. Despite the title, I've no idea what the secret is - it isn't open to me! What is no secret is that it's a fine tune and a fine arrangement. Bass solo with percussion and drums pushing it along nicely, thank you very much.

Grief does what it says on the tin. Heartfelt and sad, yet not so much bemoaning the loss of a loved one inasmuch as thankful that you knew them.

Just Sayin' (live) brings the album to a close on a happier note.

Recommended. Lance

*In a personal note that follows the liner notes of Prayer for What Remains, Leslie Pintchik writes that the title track “was inspired by a photo taken by the war photographer Joseph Eid. In it, a man smoking a pipe in Aleppo, Syria sits in his bombed-out bedroom, listening to music on a manual gramophone that operates without electricity. A tragic image of war, yes, but one that Eid said ‘talks about life’ as well.” 

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