Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, March 27, 2023

Pop Jazz @ Prohibition Bar, Newcastle - March 26

David Gray (trombone, vocals); Richard Herdman (guitar); Alan Law (piano); Jude Murphy (double bass, vocals)

Conversation led to the idea that they should play some 'pop jazz'. Prohibition Bar offered a platform and here we were on a Sunday evening on Pink Lane. The assembled quartet - David Gray, trombone, pedal board (!) and vocals, Richard Herdman, guitar, Alan Law, piano, Jude Murphy, double bass and vocals - pieced together a set list, not exactly last minute, nevertheless, as Jude confided, they would be 'flying by the seat of their pants'.

Pop, pop and more pop, but first, Someday My Prince Will Come. David and Jude prominent (make that loud, louder than their band mates), Alan, as ever, soulful and swinging, Richard the ideal accompanist and on-the-money soloist. Lazy Sunday Afternoon, The Sound of Silence, Brass in Pocket, all firmly established in popular culture, Showtime (that's David Gray) and Jude shared the vocals, occasionally harmonising, the audience liked what it was hearing. Pachelbel (yes, it was an eclectic set list!) with Showtime quoting Streets of London, falsetto vocals on Sylvester's You Make Me Feel (Mighty Real), 'pop jazz' it was.

Second set, the room filling up (two or three musicians taking a front row seat), The Last Train to Clarkesville, a too easy 'guess the tune' - Wichita Lineman with 'bone and guitar unison lines, an ambitious stab at Stairway to Heaven and Adele's Make You Feel My Love, it had been an entertaining, if not unusual, evening. Highlights? Bowie's Let's Dance with Showtime's impassioned vocals and supercharged, effect-laden trombone playing and, bringing it on home, Jude,à la, Sting, singing Roxanne. Russell      

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